{"id":130463,"date":"2024-11-27T00:31:51","date_gmt":"2024-11-26T17:31:51","guid":{"rendered":"https:\/\/hotvideos24.online\/?p=130463"},"modified":"2024-11-27T00:31:51","modified_gmt":"2024-11-26T17:31:51","slug":"haphazard-sequel-is-lost-at-sea","status":"publish","type":"post","link":"https:\/\/hotvideos24.online\/?p=130463","title":{"rendered":"Haphazard sequel is lost at sea"},"content":{"rendered":"<p> <script async src=\"https:\/\/pagead2.googlesyndication.com\/pagead\/js\/adsbygoogle.js?client=ca-pub-3711241968723425\"\r\n     crossorigin=\"anonymous\"><\/script>\r\n<ins class=\"adsbygoogle\"\r\n     style=\"display:block\"\r\n     data-ad-format=\"fluid\"\r\n     data-ad-layout-key=\"-fb+5w+4e-db+86\"\r\n     data-ad-client=\"ca-pub-3711241968723425\"\r\n     data-ad-slot=\"7910942971\"><\/ins>\r\n<script>\r\n     (adsbygoogle = window.adsbygoogle || []).push({});\r\n<\/script><br \/>\n<\/p>\n<div>\n<p><span style=\"font-weight: 400;\">Ship breaking dismantles a decommissioned vessel so that its constituent parts can be repurposed, even reused. It\u2019s a nasty business, but recycling is certainly better than scuttling something down to the briny depths. Moana (Auli\u02bbi Cravalho) wasn\u2019t originally supposed to set sail again on the big screen. Her further adventures were meant to fill the streaming rows of Disney+ as a series. But the powers that be decided (possibly because the <\/span><a href=\"https:\/\/www.avclub.com\/frozen-ii-echoes-without-amplifying-the-magic-of-the-re-1839863966\"><i><span style=\"font-weight: 400;\">Frozen<\/span><\/i><span style=\"font-weight: 400;\"> sequel<\/span><\/a><span style=\"font-weight: 400;\"> made $1.5 billion) that the show was to be <\/span><a href=\"https:\/\/www.avclub.com\/disney-is-re-tooling-a-moana-tv-show-into-moana-2-out-1851237355\"><span style=\"font-weight: 400;\">reconfigured into a movie<\/span><\/a><span style=\"font-weight: 400;\">, and the intrepid daughter of her island\u2019s chief\u2014still <\/span><i><span style=\"font-weight: 400;\">technically <\/span><\/i><span style=\"font-weight: 400;\">not a princess\u2014repositioned as its driving force. The resulting feature debut of directing team David Derrick Jr., Jason Hand, and Dana Ledoux Miller is a ramshackle Franken-ship still seaworthy enough to navigate its theatrical release, but it\u2019s got more in common with straight-to-video sequels than the clever <\/span><a href=\"https:\/\/www.avclub.com\/moana-introduces-yet-another-disney-princess-but-adds-1798189683\"><span style=\"font-weight: 400;\">original<\/span><\/a><span style=\"font-weight: 400;\">.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Three years have passed and Moana no longer needs to figure out who she is. She knows that she can be both the future leader of her people <\/span><i><span style=\"font-weight: 400;\">and <\/span><\/i><span style=\"font-weight: 400;\">an adventurer, and so does her community. Her island is now populated exclusively by Moana fans, falling over themselves to worship her and the demigod Maui (Dwayne Johnson) with whom she wrote her way into legend. This is usually where Disney heroes kick up their heels and start happily-ever-aftering, but Moana is called once more, inelegantly, away from home.<\/span><\/p>\n<p><!-- admarker --> <!-- inlinecontent_1 --> <\/p>\n<p><span style=\"font-weight: 400;\">After the clarity of one of Disney\u2019s <a href=\"https:\/\/www.youtube.com\/watch?v=cPAbx5kgCJo\">best \u201cI Want\u201d songs<\/a>, the quest Moana is set upon feels forced and fake: After discovering a shard of pottery marked with the location of a mysterious island, Moana is confronted with proof that her people are not the <\/span><i><span style=\"font-weight: 400;\">only<\/span><\/i><span style=\"font-weight: 400;\"> people. This and her new designation as a wayfinder means that she\u2019s asked to find that island, Motufetu\u2014which the god Nalo has cursed, for some reason, to no longer serve as a waypoint for disparate islander peoples\u2014and reconnect all those separated by the waves.<\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">Moana 2<\/span><\/i><span style=\"font-weight: 400;\"> tries splitting the difference between a couple different motivations for this, gesturing both at Moana\u2019s general curiosity about the larger world and at some uncertain ill fate that will befall her (lush, thriving) island if it stays isolated. These are half-hearted ideas, embedded in Abigail Barlow and Emily Bear\u2019s forgettable songs, ranging from truly terrible shipwrecks to embarrassing Lin-Manuel Miranda tribute band tracks. Losing Miranda is a terrible blow for the film, though his presence still haunts the dialogue. Every other line is about knowing the way, telling our stories, and how far we\u2019ll go. It\u2019s like how celebrities tend to repeat the same branding-appropriate phrases after the humanity has been coached out of them. It reinforces the sense that the sequel isn\u2019t confident enough to strike out on its own.<\/span><\/p>\n<p><!-- admarker --> <!-- inlinecontent_2 --> <\/p>\n<div class=\"grid-x articles-inline-insert\" id=\"inline-related-articles\">\n<ul class=\"articles grid-margin-x flex-container flex-dir-column\">\n<li class=\"grid-x grid-padding-x\"><a class=\"auto cell copy-container noimage\" href=\"https:\/\/www.avclub.com\/star-wars-skeleton-crew-release-date-moved-up\"><b class=\"title\">Disney goes ahead and moves up that <i>Skeleton Crew<\/i> release date<\/b><\/a><\/li>\n<li class=\"grid-x grid-padding-x\"><a class=\"auto cell copy-container noimage\" href=\"https:\/\/www.avclub.com\/disney-muppetvision-3d-monsters-inc\"><b class=\"title\">Disney World is evicting the Muppets to make way for <i>Monsters, Inc.<\/i><\/b><\/a><\/li>\n<\/ul><\/div>\n<p><span style=\"font-weight: 400;\">So too do all the new side characters the film introduces, but mostly ignores. There\u2019s Moana\u2019s new too-cutesy little sister (Khaleesi Lambert-Tsuda), and the ragtag crew who accompanies Moana on her voyage: Loto (Rose Matafeo) the manic builder, Kele (David Fane) the crotchety old farmer, and Moni (Hual\u0101lai Chung) the beefy Maui obsessive. Eventually joining them is one of the Kakamora, the <\/span><i><span style=\"font-weight: 400;\">Mad Max <\/span><\/i><span style=\"font-weight: 400;\">coconut gremlins with more personality than most of the humans. All feel like they\u2019ve just been introduced by the time the credits roll\u2014just set-up for the next episode, where they\u2019ll eventually learn to work together as a team.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Even their main obstacles suffer from a screenplay that seems like it\u2019s been shredded into flotsam. Nalo, for example, is a lightning god\u2026but we don\u2019t meet or understand him. Why did he curse this island, anyway? Where the volcanic island from the first movie was a wounded and compelling force, Nalo remains inscrutable: he manifests only as lightning, tornadoes, lightning-tornadoes, and monstrous electric eels. Secondary antagonist-but-not Matangi (Awhimai Fraser) suffers similarly from the script\u2019s apparent slashing\u2014her arbitrary actions feel like they\u2019re missing a scene or two of dot-connecting.<\/span><\/p>\n<p><!-- admarker --> <\/p>\n<p><span style=\"font-weight: 400;\">That leaves the dressing around the plot to salvage things, and <\/span><i><span style=\"font-weight: 400;\">Moana 2 <\/span><\/i><span style=\"font-weight: 400;\">cruises smoothly through some of the most vivid animated water put to film. The film benefits greatly from the constant visual propulsion of the ocean; everything\u2014the boats, the people on them, the rigging and oars, the giant monster clam in the distance\u2014always feels like it\u2019s moving. Throw in some delightfully varied and tactile textures, ranging from splintering wooden masts to goopy blobfish snot, and the film\u2019s got plenty of enjoyable atmosphere, whether it\u2019s facing down a motley vessel manned by weird little nut-pirates or the tempestuous waves of the stormy climax. It makes sense to want to see this on the big screen.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">It makes less sense for this story, haphazard and lost, to follow one of Disney\u2019s better films of the last 20 years. There\u2019s almost an affecting message, where teamwork on a small scale results in greater togetherness on a large scale. There\u2019s almost a charming reversal of the maturing relationship between Maui and Moana. There are recycled versions of the first film\u2019s slapstick and songs. It all threatens to come together, if not for an unseen and all-powerful deity throwing a wrench in these plans for reasons beyond the understanding of us mere mortals. Alas, it\u2019s lost at sea.<\/span><\/p>\n<p><b>Director:<\/b><span style=\"font-weight: 400;\"> David Derrick Jr., Jason Hand, Dana Ledoux Miller<\/span><span style=\"font-weight: 400;\"><br \/><\/span><b>Writer: <\/b><span style=\"font-weight: 400;\">Jared Bush, Dana Ledoux Miller<\/span><br \/><b>Starring: <\/b><span style=\"font-weight: 400;\">Auli\u02bbi Cravalho, Dwayne Johnson, Temuera Morrison, Nicole Scherzinger, Rachel House, Alan Tudyk, Khaleesi Lambert-Tsuda, Rose Matafeo, David Fane, Hual\u0101lai Chung, Awhimai Fraser, Gerald Ramsey<\/span><span style=\"font-weight: 400;\"><br \/><\/span><b>Release Date:<\/b><span style=\"font-weight: 400;\"> November 27, 2024<\/span><\/p>\n<p><!-- admarker --> <!-- inlinecontent_2 -->\n                            <\/div>\n<p><script async src=\"https:\/\/pagead2.googlesyndication.com\/pagead\/js\/adsbygoogle.js?client=ca-pub-3711241968723425\"\r\n     crossorigin=\"anonymous\"><\/script>\r\n<ins class=\"adsbygoogle\"\r\n     style=\"display:block\"\r\n     data-ad-format=\"fluid\"\r\n     data-ad-layout-key=\"-fb+5w+4e-db+86\"\r\n     data-ad-client=\"ca-pub-3711241968723425\"\r\n     data-ad-slot=\"7910942971\"><\/ins>\r\n<script>\r\n     (adsbygoogle = window.adsbygoogle || []).push({});\r\n<\/script><br \/>\n<br \/><div data-type=\"_mgwidget\" data-widget-id=\"1660802\">\r\n<\/div>\r\n<script>(function(w,q){w[q]=w[q]||[];w[q].push([\"_mgc.load\"])})(window,\"_mgq\");\r\n<\/script>\r\n<br \/>\n<br \/><a href=\"https:\/\/www.avclub.com\/moana-2-review\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ship breaking dismantles a decommissioned vessel so that its constituent parts can be repurposed, even reused. It\u2019s a nasty business, but recycling is certainly better than scuttling something down to &hellip; <a href=\"https:\/\/hotvideos24.online\/?p=130463\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[],"class_list":["post-130463","post","type-post","status-publish","format-standard","hentry","category-entertainment","entry"],"_links":{"self":[{"href":"https:\/\/hotvideos24.online\/index.php?rest_route=\/wp\/v2\/posts\/130463","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/hotvideos24.online\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/hotvideos24.online\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/hotvideos24.online\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/hotvideos24.online\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=130463"}],"version-history":[{"count":0,"href":"https:\/\/hotvideos24.online\/index.php?rest_route=\/wp\/v2\/posts\/130463\/revisions"}],"wp:attachment":[{"href":"https:\/\/hotvideos24.online\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=130463"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/hotvideos24.online\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=130463"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/hotvideos24.online\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=130463"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}