{"id":132610,"date":"2024-12-02T22:01:23","date_gmt":"2024-12-02T15:01:23","guid":{"rendered":"https:\/\/hotvideos24.online\/?p=132610"},"modified":"2024-12-02T22:01:23","modified_gmt":"2024-12-02T15:01:23","slug":"the-best-100-albums-of-2024","status":"publish","type":"post","link":"https:\/\/hotvideos24.online\/?p=132610","title":{"rendered":"The Best 100 Albums of 2024"},"content":{"rendered":"<p> <script async src=\"https:\/\/pagead2.googlesyndication.com\/pagead\/js\/adsbygoogle.js?client=ca-pub-3711241968723425\"\r\n     crossorigin=\"anonymous\"><\/script>\r\n<ins class=\"adsbygoogle\"\r\n     style=\"display:block\"\r\n     data-ad-format=\"fluid\"\r\n     data-ad-layout-key=\"-fb+5w+4e-db+86\"\r\n     data-ad-client=\"ca-pub-3711241968723425\"\r\n     data-ad-slot=\"7910942971\"><\/ins>\r\n<script>\r\n     (adsbygoogle = window.adsbygoogle || []).push({});\r\n<\/script><br \/>\n<\/p>\n<div id=\"\">\n<p>Huge blockbusters, breakout debuts, left-field gems, and much more<\/p>\n<\/p><\/div>\n<div>\n\t\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe albums of 2024 hit us hard and soft, all year long. The music world was full of explosive chaos, all over the stylistic map, from the pop espresso on the airwaves to the club classics in your eardrums. A new generation of world-beating pop queens claimed the top of the charts\u2014and the top of our albums list\u2014while radical innovators made noise in the margins. Brat Summer happened. Shaboozey happened. Beyonc\u00e9 claimed country. MJ Lenderman channeled the sound of a human hangover through a guitar. Taylor Swift devised a 31-part song cycle in her spare time. Charli conquered the planet.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tAll through 2024, you heard brash young artists kept stepping up to introduce themselves. You also heard legends swerving somewhere new, whether that meant Kendrick Lamar or Nick Cave. Billie, Doechii, Zach, Ariana, Sabrina \u2014 they all kept pushing. Our albums list has the Puerto Rican rap of Young Miko and \u00c1lvaro D\u00edaz, the raw country of Lainey Wilson, the mystic folk-jazz of Arooj Aftab. We\u2019ve got teenagers and we\u2019ve got eighty-somethings. We\u2019ve got Afropop innovators from Tyla to Rema to Arya Starr. We\u2019ve got rap bangers from Tyler, the Creator to Future and Metro Boomin. We\u2019ve got the Appalachian twang of Gillian Welch and David Rawlings, the bold urbano of RaiNao, the mighty guitar roar of Lenderman, Jack White, and Mannequin Pussy. These were the albums that helped us push on through 2024. And they\u2019re all albums we\u2019ll keep turning to next year.<\/p>\n<div id=\"pmc-gallery-vertical\">\n<div class=\"c-gallery-vertical-loader u-gallery-app-shell-loader\">\n<ul class=\"pmc-fallback-list-items lrv-a-unstyle-list lrv-u-margin-t-2\">\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>Pom Pom Squad, \u2018Mirror Starts Moving Without Me\u2019<\/h2>\n<figure>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"Pom Pom Squad, 'Mirror Starts Moving Without Me'\" data-lazy-src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Pom-Pom-Squad-Mirror-Starts-Moving-Without-Me.jpg?w=300\" data-lazy-srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Pom-Pom-Squad-Mirror-Starts-Moving-Without-Me.jpg 1200w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Pom-Pom-Squad-Mirror-Starts-Moving-Without-Me.jpg?resize=150,150 150w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Pom-Pom-Squad-Mirror-Starts-Moving-Without-Me.jpg?resize=300,300 300w\" data-lazy-sizes=\"(max-width: 300px) 85vw, 300px\"\/><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Pom-Pom-Squad-Mirror-Starts-Moving-Without-Me.jpg?w=300\" class=\"attachment-medium size-medium\" alt=\"Pom Pom Squad, 'Mirror Starts Moving Without Me'\" srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Pom-Pom-Squad-Mirror-Starts-Moving-Without-Me.jpg 1200w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Pom-Pom-Squad-Mirror-Starts-Moving-Without-Me.jpg?resize=150,150 150w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Pom-Pom-Squad-Mirror-Starts-Moving-Without-Me.jpg?resize=300,300 300w\" sizes=\"auto, (max-width: 300px) 85vw, 300px\"\/>\t\t\t\t\t<\/figure>\n<p>\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cLooks like downhill from here,\u201d Mia Berrin quips at the top of\u00a0Pom Pom Squad\u2019s second album. On\u00a0<em><a href=\"https:\/\/www.rollingstone.com\/music\/music-album-reviews\/pom-pom-squad-mirrior-starts-moving-without-me-review-1235143013\/\">Mirror Starts Moving Without Me,<\/a><\/em> the Brooklyn grunge band leans into this darker tone of the Lewis Carroll classic that partly inspires its title as singer Berrin\u00a0illustrates an identity crisis in overdrive. As Berrin tumbles through the figurative mirror and explores all the versions of herself, she realizes the process of reinvention is grueling. Meanwhile, tracks like \u201cRunning From Myself\u201d and \u201cEverybody\u2019s Moving On\u201d chronicle the experience of moving past the monstrous parts of yourself that are better left behind. \u2014<em>Maya Georgi<\/em><\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>Sleater-Kinney, \u2018Little Rope\u2019<\/h2>\n<figure>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"Sleater-Kinney, 'Little Rope'\" data-lazy-src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/sleater-kinney-little-rope.jpg?w=300\" data-lazy-srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/sleater-kinney-little-rope.jpg 1000w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/sleater-kinney-little-rope.jpg?resize=150,150 150w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/sleater-kinney-little-rope.jpg?resize=300,300 300w\" data-lazy-sizes=\"(max-width: 300px) 85vw, 300px\"\/><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/sleater-kinney-little-rope.jpg?w=300\" class=\"attachment-medium size-medium\" alt=\"Sleater-Kinney, 'Little Rope'\" srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/sleater-kinney-little-rope.jpg 1000w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/sleater-kinney-little-rope.jpg?resize=150,150 150w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/sleater-kinney-little-rope.jpg?resize=300,300 300w\" sizes=\"auto, (max-width: 300px) 85vw, 300px\"\/>\t\t\t\t\t<\/figure>\n<p>\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tWhile Carrie Brownstein and Corine Tucker were working on <a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/sleater-kinney-carrie-brownstein-corin-tucker-new-album-1234868784\/\"><em>Little Rope<\/em>,<\/a> they received news that Brownstein\u2019s mother and stepfather had been killed in a car accident while vacationing in Italy. That tragic experience became the emotional backdrop from an album that saw the duo return to the resonant guitar fury that has always defined Sleater-Kinney at their best. Highlights like \u201cSay It Like You Mean It\u201d and \u201cSix Mistakes\u201d are as cathartic as anything in their illustrious canon, even as they keep expanding their sound in new directions. <em>\u2014Jon Dolan<\/em><\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>Common and Pete Rock, \u2018The Auditorium, Vol. 1\u2019<\/h2>\n<figure>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"Common and Pete Rock, 'The Auditorium, Vol. 1'\" data-lazy-src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Common-and-Pete-Rock-The-Auditorium-Vol-1.jpg?w=300\" data-lazy-srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Common-and-Pete-Rock-The-Auditorium-Vol-1.jpg 1000w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Common-and-Pete-Rock-The-Auditorium-Vol-1.jpg?resize=150,150 150w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Common-and-Pete-Rock-The-Auditorium-Vol-1.jpg?resize=300,300 300w\" data-lazy-sizes=\"(max-width: 300px) 85vw, 300px\"\/><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Common-and-Pete-Rock-The-Auditorium-Vol-1.jpg?w=300\" class=\"attachment-medium size-medium\" alt=\"Common and Pete Rock, 'The Auditorium, Vol. 1'\" srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Common-and-Pete-Rock-The-Auditorium-Vol-1.jpg 1000w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Common-and-Pete-Rock-The-Auditorium-Vol-1.jpg?resize=150,150 150w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Common-and-Pete-Rock-The-Auditorium-Vol-1.jpg?resize=300,300 300w\" sizes=\"auto, (max-width: 300px) 85vw, 300px\"\/>\t\t\t\t\t<\/figure>\n<p>\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThis is an <a href=\"https:\/\/www.rollingstone.com\/music\/music-album-reviews\/common-pete-rock-the-auditorium-vol-1-1235059445\/\">easygoing tribute <\/a>to hip-hop\u2019s essence and realness, full of affectionate references to the music that\u2019s still close to Common\u2019s heart after all these years. Flowing deliberately over a luxurious spread of prime Pete Rock beats, the griot from Chicago raps with wisdom and patience. \u201cThe more I grow older, the more I be sober\/Minded what rhyme did \u2014 it defined culture,\u201d he pronounces on \u201cStellar.\u201d If his punch lines can verge on dad-joke territory (\u201cThe way I pass words\/You don\u2019t have to log in\u201d), more often they\u2019re genuinely sharp and entertaining. <em>\u2014Simon Vozick-Levinson\u00a0<\/em><\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>Nick Cave and the Bad Seeds, \u2018Wild God\u2019<\/h2>\n<figure>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"Nick Cave &amp; the Bad Seeds, 'Wild God'\" data-lazy-src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Nick-Cave-the-Bad-Seeds-Wild-God.jpg?w=300\" data-lazy-srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Nick-Cave-the-Bad-Seeds-Wild-God.jpg 1024w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Nick-Cave-the-Bad-Seeds-Wild-God.jpg?resize=150,150 150w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Nick-Cave-the-Bad-Seeds-Wild-God.jpg?resize=300,300 300w\" data-lazy-sizes=\"(max-width: 300px) 85vw, 300px\"\/><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Nick-Cave-the-Bad-Seeds-Wild-God.jpg?w=300\" class=\"attachment-medium size-medium\" alt=\"Nick Cave &amp; the Bad Seeds, 'Wild God'\" srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Nick-Cave-the-Bad-Seeds-Wild-God.jpg 1024w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Nick-Cave-the-Bad-Seeds-Wild-God.jpg?resize=150,150 150w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Nick-Cave-the-Bad-Seeds-Wild-God.jpg?resize=300,300 300w\" sizes=\"auto, (max-width: 300px) 85vw, 300px\"\/>\t\t\t\t\t<\/figure>\n<p>\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tOn <em><a href=\"https:\/\/www.rollingstone.com\/music\/music-album-reviews\/nick-cave-and-the-bad-seeds-wild-god-1235090853\/\">Wild God<\/a><\/em>\u2018s shimmering \u201cJoy,\u201d Nick Cave sings about a ghost in the middle of the night telling him, \u201cWe\u2019ve all had too much sorrow; now is the time for joy.\u201d It\u2019s remarkable since Cave\u2019s last few records have found him making sense of insurmountable grief. The darkness is still present, but glimmers of light illuminate <em>Wild God<\/em>. The record\u2019s best moments show tender vulnerability: the ache in his voice on the Jimmy Webb\u2013like \u201cFrogs,\u201d the desperate hope of \u201cmy hand searching for your hand\u201d on<em> <\/em>\u201cFinal Rescue Attempt,\u201d and, best of all, the gospel rave-up of \u201cConversion.\u201d \u2014<em>Kory Grow<\/em><\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>Kali Uchis, \u2018Orqu\u00eddeas\u2019<\/h2>\n<figure>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"Kali Uchis, 'Orqu\u00eddeas'\" data-lazy-src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/kali-uchis-orquideas.jpg?w=300\" data-lazy-srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/kali-uchis-orquideas.jpg 1000w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/kali-uchis-orquideas.jpg?resize=150,150 150w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/kali-uchis-orquideas.jpg?resize=300,300 300w\" data-lazy-sizes=\"(max-width: 300px) 85vw, 300px\"\/><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/kali-uchis-orquideas.jpg?w=300\" class=\"attachment-medium size-medium\" alt=\"Kali Uchis, 'Orqu\u00eddeas'\" srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/kali-uchis-orquideas.jpg 1000w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/kali-uchis-orquideas.jpg?resize=150,150 150w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/kali-uchis-orquideas.jpg?resize=300,300 300w\" sizes=\"auto, (max-width: 300px) 85vw, 300px\"\/>\t\t\t\t\t<\/figure>\n<p>\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tKali Uchis has a few things in mind on\u00a0<em>Orqu\u00eddeas<\/em>. First of all, she wants the world to know there\u2019s no box or category to limit Latinas sonically. She bounces from icy R&amp;B to bright merengue to liquefied dream pop. Second, the album balances a careful mix of power and vulnerability, adding complexity to notions of Latinas beyond stereotypes as lusty sirens or spicy firebrands. But<a href=\"https:\/\/www.rollingstone.com\/music\/music-album-reviews\/kali-uchis-orquideas-review-1234943876\/\"> <em>Orqu\u00eddeas<\/em><\/a> is also loaded with sexual agency and bad-bitch energy. She\u2019s bolder and more forthright than ever, diving deeper into new sounds and flourishing the entire way.<em> \u2014Julyssa Lopez<\/em><\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>Koe Wetzel, \u20189 Lives\u2019<\/h2>\n<figure>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"Koe Wetzel, '9 Lives'\" data-lazy-src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Koe-Wetzel-9-Lives.jpg?w=300\" data-lazy-srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Koe-Wetzel-9-Lives.jpg 1000w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Koe-Wetzel-9-Lives.jpg?resize=150,150 150w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Koe-Wetzel-9-Lives.jpg?resize=300,300 300w\" data-lazy-sizes=\"(max-width: 300px) 85vw, 300px\"\/><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Koe-Wetzel-9-Lives.jpg?w=300\" class=\"attachment-medium size-medium\" alt=\"Koe Wetzel, '9 Lives'\" srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Koe-Wetzel-9-Lives.jpg 1000w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Koe-Wetzel-9-Lives.jpg?resize=150,150 150w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Koe-Wetzel-9-Lives.jpg?resize=300,300 300w\" sizes=\"auto, (max-width: 300px) 85vw, 300px\"\/>\t\t\t\t\t<\/figure>\n<p>\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tKoe Wetzel has been a Texas country anti-hero for a decade now, but <em>9 Lives<\/em> finally helped introduce the singer-songwriter to an audience outside the Lone Star State. Songs like \u201c9 Lives (Black Cat)\u201d are full of fuck-around-and-find-out energy, and \u201cDamn Near Normal\u201d both celebrates and laments a life on the road fueled by \u201ca little melatonin and a bag of weed.\u201d Fortunately, \u201cCasamigos\u201d is there to lighten the mood: It\u2019s the catchiest song written about agave since John Anderson\u2019s \u201cStraight Tequila Night.\u201d \u2014<em>Joseph Hudak<\/em><\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>Grace Cummings, \u2018Ramona\u2019<\/h2>\n<figure>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"Grace Cummings, 'Ramona'\" data-lazy-src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Grace-Cummings-Ramona.jpg?w=300\" data-lazy-srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Grace-Cummings-Ramona.jpg 1000w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Grace-Cummings-Ramona.jpg?resize=150,150 150w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Grace-Cummings-Ramona.jpg?resize=300,300 300w\" data-lazy-sizes=\"(max-width: 300px) 85vw, 300px\"\/><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Grace-Cummings-Ramona.jpg?w=300\" class=\"attachment-medium size-medium\" alt=\"Grace Cummings, 'Ramona'\" srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Grace-Cummings-Ramona.jpg 1000w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Grace-Cummings-Ramona.jpg?resize=150,150 150w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Grace-Cummings-Ramona.jpg?resize=300,300 300w\" sizes=\"auto, (max-width: 300px) 85vw, 300px\"\/>\t\t\t\t\t<\/figure>\n<p>\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tGrace Cummings\u2019 influences are obvious: On <em>Ramona<\/em>\u2018s \u201cHelp Is on the Way,\u201d she ties together lyrics from Bob Dylan, the Beatles, and Neil Young \u2014 and she previously covered fellow Aussie Nick Cave\u2019s \u201cStraight to You.\u201d But <em>Ramona<\/em>, her third full-length, feels more fresh than familiar, thanks to Cummings\u2019 stunning, and often devastating, deep voice. She has a wonderful way of sliding dynamically from the sweet and serene into crashing tempests, such as on \u201cA Precious Thing,\u201d when she sings, \u201cLove is just a thing that I\u2019m trying to live without.\u201d<em> \u2014K.G.<\/em><\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>Kerry King, \u2018From Hell I Rise\u2019<\/h2>\n<figure>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"Kerry King, 'From Hell I Rose'\" data-lazy-src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Kerry-King-From-Hell-I-Rose.jpg?w=300\" data-lazy-srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Kerry-King-From-Hell-I-Rose.jpg 1000w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Kerry-King-From-Hell-I-Rose.jpg?resize=150,150 150w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Kerry-King-From-Hell-I-Rose.jpg?resize=300,300 300w\" data-lazy-sizes=\"(max-width: 300px) 85vw, 300px\"\/><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Kerry-King-From-Hell-I-Rose.jpg?w=300\" class=\"attachment-medium size-medium\" alt=\"Kerry King, 'From Hell I Rose'\" srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Kerry-King-From-Hell-I-Rose.jpg 1000w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Kerry-King-From-Hell-I-Rose.jpg?resize=150,150 150w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Kerry-King-From-Hell-I-Rose.jpg?resize=300,300 300w\" sizes=\"auto, (max-width: 300px) 85vw, 300px\"\/>\t\t\t\t\t<\/figure>\n<p>\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe <a href=\"https:\/\/www.rollingstone.com\/music\/music-album-reviews\/kerry-king-from-hell-i-rise-review-1235022884\/\">first solo album<\/a> from former\u00a0Slayer\u00a0guitarist\u00a0Kerry King\u00a0is basically the \u201cStill D.R.E.\u201d of thrash metal. But where Dr. Dre wanted to remind his fans that he was still puffin\u2019 his leafs, still fucking with beats, and still not lovin\u2019 police after close to a decade\u2019s absence, King wants his fans to understand that even though Slayer are essentially hell bound, he\u2019s still Satan\u2019s preeminent ambassador. On\u00a0<em>From Hell I Rise<\/em>, King is still drinkin\u2019 his tequila, still fucking with riffs, and still not lovin\u2019 the priests. In other words, it sounds like Slayer \u2014 and at times, Slayer at their best. \u2014<em>K.G.<\/em><\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>Megan Moroney, \u2018Am I Okay?\u2019<\/h2>\n<figure>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"Megan Moroney, 'Am I Okay'\" data-lazy-src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Megan-Moroney-Am-I-Okay.jpg?w=300\" data-lazy-srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Megan-Moroney-Am-I-Okay.jpg 1200w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Megan-Moroney-Am-I-Okay.jpg?resize=150,150 150w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Megan-Moroney-Am-I-Okay.jpg?resize=300,300 300w\" data-lazy-sizes=\"(max-width: 300px) 85vw, 300px\"\/><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Megan-Moroney-Am-I-Okay.jpg?w=300\" class=\"attachment-medium size-medium\" alt=\"Megan Moroney, 'Am I Okay'\" srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Megan-Moroney-Am-I-Okay.jpg 1200w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Megan-Moroney-Am-I-Okay.jpg?resize=150,150 150w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Megan-Moroney-Am-I-Okay.jpg?resize=300,300 300w\" sizes=\"auto, (max-width: 300px) 85vw, 300px\"\/>\t\t\t\t\t<\/figure>\n<p>\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<a href=\"https:\/\/www.rollingstone.com\/t\/megan-moroney\/\">Megan Moroney<\/a>\u00a0is deep in her feels on\u00a0<em><a href=\"https:\/\/www.rollingstone.com\/music\/music-album-reviews\/megan-moroney-am-i-okay-review-1235060505\/\">Am I Okay?<\/a><\/em>, the follow-up to her breakthrough debut,\u00a0<em>Lucky<\/em>. Moroney has been describing herself as the \u201cEmo Cowgirl,\u201d lassoing a musical trend that\u2019s been picking up steam over the past year or so.\u00a0This is an album full of references to therapy (\u201cNo Caller ID\u201d), fears of dying alone (\u201cThird Time\u2019s the Charm\u201d), and blas\u00e9 resignation (\u201cIndifferent\u201d). There\u2019s even a mournful goodbye ballad \u2014 the devastating \u201cHeaven by Noon.\u201d But despite its heavy heart,\u00a0<em>Am I Okay?<\/em>\u00a0isn\u2019t a dour project. \u2014<em>J.H.<\/em><\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>Allie X, \u2018Girl With No Face\u2019<\/h2>\n<figure>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"Allie X, 'Girl With No Face'\" data-lazy-src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Allie-X-Girl-With-No-Face.jpg?w=300\" data-lazy-srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Allie-X-Girl-With-No-Face.jpg 1000w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Allie-X-Girl-With-No-Face.jpg?resize=150,150 150w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Allie-X-Girl-With-No-Face.jpg?resize=300,300 300w\" data-lazy-sizes=\"(max-width: 300px) 85vw, 300px\"\/><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Allie-X-Girl-With-No-Face.jpg?w=300\" class=\"attachment-medium size-medium\" alt=\"Allie X, 'Girl With No Face'\" srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Allie-X-Girl-With-No-Face.jpg 1000w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Allie-X-Girl-With-No-Face.jpg?resize=150,150 150w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Allie-X-Girl-With-No-Face.jpg?resize=300,300 300w\" sizes=\"auto, (max-width: 300px) 85vw, 300px\"\/>\t\t\t\t\t<\/figure>\n<p>\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe LinnDrum machine is Allie X\u2019s greatest weapon on <em>Girl With No Face<\/em>. The album transports the singer back to the Eighties, as she draws influences from Joy Division, Kraftwerk, and Cocteau Twins to refresh her sound. The results captures Allie seeking power over the chaos in her world while keeping a touch of sarcasm and dry humor: \u201cI don\u2019t sing for straight men \u2019cause they just ruin the world,\u201d she sings on \u201cStaying Power.\u201d \u201cOff With Her Tits\u201d finds her repeating the title phrase over a sample of Yaz\u2019s synth-pop classic \u201cDon\u2019t Go,\u201d putting her own spin on a classic sound. \u2014<em>Tomas Mier <\/em><\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>Various Artists, \u2018Silver Patron Saints: The Songs of Jesse Malin\u2019<\/h2>\n<figure>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"Various Artists, 'Silver Patron Saints: the Songs of Jesse Malin'\" data-lazy-src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Silver-Patron-Saints-the-Songs-of-Jesse-Malin.jpeg?w=300\" data-lazy-srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Silver-Patron-Saints-the-Songs-of-Jesse-Malin.jpeg 1000w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Silver-Patron-Saints-the-Songs-of-Jesse-Malin.jpeg?resize=150,150 150w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Silver-Patron-Saints-the-Songs-of-Jesse-Malin.jpeg?resize=300,300 300w\" data-lazy-sizes=\"(max-width: 300px) 85vw, 300px\"\/><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Silver-Patron-Saints-the-Songs-of-Jesse-Malin.jpeg?w=300\" class=\"attachment-medium size-medium\" alt=\"Various Artists, 'Silver Patron Saints: the Songs of Jesse Malin'\" srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Silver-Patron-Saints-the-Songs-of-Jesse-Malin.jpeg 1000w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Silver-Patron-Saints-the-Songs-of-Jesse-Malin.jpeg?resize=150,150 150w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Silver-Patron-Saints-the-Songs-of-Jesse-Malin.jpeg?resize=300,300 300w\" sizes=\"auto, (max-width: 300px) 85vw, 300px\"\/>\t\t\t\t\t<\/figure>\n<p>\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tIn 2023, gritty New York troubadour Jesse Malin suffered an exceedingly rare\u00a0<a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/jesse-malin-stroke-healthcare-fund-1234770111\/\">spinal stroke<\/a> that affected the use of his legs. The tribute album<a href=\"https:\/\/www.rollingstone.com\/music\/music-album-reviews\/jesse-malin-silver-patron-saints-review-1235107724\/\">\u00a0<em>Silver Patron Saints<\/em><\/a> arrives as a benefit for Malin\u2019s recovery. Bruce Springsteen, Billie Joe Armstrong, Jack Antonoff, Lucinda Williams, and Elvis Costello are among the artists covering the revered rocker\u2019s songs on this 28-track collection. Newcomers to Malin\u2019s work will unearth not just some golden songs, but an understanding of the distinctly New York craftsman who wrote them.<em> <\/em>\u2014<em>J.H.<\/em><\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>Charley Crockett, \u2018$10 Cowboy\u2019<\/h2>\n<figure>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"Charley Crocket, '$10 Cowboy'\" data-lazy-src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/charley-crockett-10-dollar-cowboy.jpg?w=300\" data-lazy-srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/charley-crockett-10-dollar-cowboy.jpg 1000w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/charley-crockett-10-dollar-cowboy.jpg?resize=150,150 150w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/charley-crockett-10-dollar-cowboy.jpg?resize=300,300 300w\" data-lazy-sizes=\"(max-width: 300px) 85vw, 300px\"\/><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/charley-crockett-10-dollar-cowboy.jpg?w=300\" class=\"attachment-medium size-medium\" alt=\"Charley Crocket, '$10 Cowboy'\" srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/charley-crockett-10-dollar-cowboy.jpg 1000w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/charley-crockett-10-dollar-cowboy.jpg?resize=150,150 150w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/charley-crockett-10-dollar-cowboy.jpg?resize=300,300 300w\" sizes=\"auto, (max-width: 300px) 85vw, 300px\"\/>\t\t\t\t\t<\/figure>\n<p>\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tCharley Crockett has been at it for a decade, longer if you count his busking days, but he\u2019s never sounded as sure of himself as he does here. The lyrics on his 13th album, <em>$10 Cowboy<\/em>, are a mix of honky-tonk hooks, phrases from drifters and gas-station clerks, and stories written in the back of his bus as he went across the country. \u201cAmerica, have I told ya, how I labor in your fields?\u201d he asks. Like the country he\u2019s looking at, the album is a whole made of disparate parts: soul, country, blues, Americana, and more.<em> <\/em>\u2014<em>Benjamin Stallings<\/em><\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>RM, \u2018Right Place, Wrong Person\u2019<\/h2>\n<figure>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"RM, 'Right Place, Wrong Person'\" data-lazy-src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/rm-right-place-right-wrong-person.jpg?w=300\" data-lazy-srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/rm-right-place-right-wrong-person.jpg 1000w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/rm-right-place-right-wrong-person.jpg?resize=150,150 150w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/rm-right-place-right-wrong-person.jpg?resize=300,300 300w\" data-lazy-sizes=\"(max-width: 300px) 85vw, 300px\"\/><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/rm-right-place-right-wrong-person.jpg?w=300\" class=\"attachment-medium size-medium\" alt=\"RM, 'Right Place, Wrong Person'\" srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/rm-right-place-right-wrong-person.jpg 1000w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/rm-right-place-right-wrong-person.jpg?resize=150,150 150w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/rm-right-place-right-wrong-person.jpg?resize=300,300 300w\" sizes=\"auto, (max-width: 300px) 85vw, 300px\"\/>\t\t\t\t\t<\/figure>\n<p>\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tOn his heady second solo album, RM interrogates the relationship between his world-conquering presented self and the \u201cordinary young man named Kim Namjoon\u201d that he might\u2019ve been. His lyrical ride is made even more mind-expanding by the music laid down by RM and his collaborators. <a href=\"https:\/\/www.rollingstone.com\/music\/music-album-reviews\/rm-right-place-wrong-person-review-1235027457\/\"><em>Right Place, Wrong Person<\/em><\/a> is psychedelia-tinged and soulful, its lyrics\u2019 intense self-interrogation balanced by music that feels like an invite to further explorations<em>. <\/em>\u2014<em>Maura Johnston<\/em><\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>Cavalier, \u2018Different Type Time\u2019<\/h2>\n<figure>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"Cavalier, 'Different Type Time'\" data-lazy-src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/Cavalier-Different-Type-Time.jpg?w=300\" data-lazy-srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/Cavalier-Different-Type-Time.jpg 1440w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/Cavalier-Different-Type-Time.jpg?resize=150,150 150w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/Cavalier-Different-Type-Time.jpg?resize=300,300 300w\" data-lazy-sizes=\"(max-width: 300px) 85vw, 300px\"\/><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/Cavalier-Different-Type-Time.jpg?w=300\" class=\"attachment-medium size-medium\" alt=\"Cavalier, 'Different Type Time'\" srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/Cavalier-Different-Type-Time.jpg 1440w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/Cavalier-Different-Type-Time.jpg?resize=150,150 150w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/Cavalier-Different-Type-Time.jpg?resize=300,300 300w\" sizes=\"auto, (max-width: 300px) 85vw, 300px\"\/>\t\t\t\t\t<\/figure>\n<p>\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe Brooklyn-born rapper\u2019s <a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/no-filler-best-indie-rap-1235037960\/\">21-track project <\/a>comes after a prolonged period when, he says, he lost his creative fire due to the demands that the industry, especially DSPs, put on artists. His dense, abstract lyricism forms the shafts and columns through which he alternately reflects on his life, dropping gems like \u201cLoud and corny the new clout,\u201d from \u201cCustard Spoon.\u201d Cavalier deploys a range of flows over a diverse, Quelle Chris-crafted canvas \u2014 from the jazzy \u201cPears\u201d to the entrancing \u201cCome Proper.\u201d<em> <\/em>\u2014<em>Andre Gee<\/em><\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>Porter Robinson, \u2018SMILE!: D\u2019<\/h2>\n<figure>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"Porter Robinson, Smile: D\" data-lazy-src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/09\/Porter-Robinson-Smile-D.jpg?w=300\" data-lazy-srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/09\/Porter-Robinson-Smile-D.jpg 1000w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/09\/Porter-Robinson-Smile-D.jpg?resize=150,150 150w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/09\/Porter-Robinson-Smile-D.jpg?resize=300,300 300w\" data-lazy-sizes=\"(max-width: 300px) 85vw, 300px\"\/><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/09\/Porter-Robinson-Smile-D.jpg?w=300\" class=\"attachment-medium size-medium\" alt=\"Porter Robinson, Smile: D\" srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/09\/Porter-Robinson-Smile-D.jpg 1000w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/09\/Porter-Robinson-Smile-D.jpg?resize=150,150 150w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/09\/Porter-Robinson-Smile-D.jpg?resize=300,300 300w\" sizes=\"auto, (max-width: 300px) 85vw, 300px\"\/>\t\t\t\t\t<\/figure>\n<p>\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe audacious <em><a href=\"https:\/\/www.rollingstone.com\/music\/music-album-reviews\/porter-robinson-smile-review-1235061386\/\">SMILE!:D<\/a><\/em> rejects sterile facade with explosive pop production while sharply interrogating parasocial relationships and external validation. \u201cCrying at the airport\/\u2018I\u2019m sorry, can I get a pic?\u2019\/Telling me a sad story\/Another reason not to quit,\u201d he sings on \u201cKnock Yourself Out XD.\u201d\u00a0Robinson delivers his clearest vocal performance on the idiosyncratic standout \u201cYear of the Cup,\u201d a pseudo ballad that builds around audio from a 2009 Lil Wayne interview about the link between substance use, creativity, and success<em>. <\/em>\u2014<em>Larisha Paul <\/em><\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>Camila Cabello, \u2018C, XOXO\u2019<\/h2>\n<figure>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"297\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"Camila Cabello, 'C,XOXO'\" data-lazy-src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Camilla-Cabello-CXOXO.jpg?w=300\" data-lazy-srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Camilla-Cabello-CXOXO.jpg 1280w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Camilla-Cabello-CXOXO.jpg?resize=150,150 150w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Camilla-Cabello-CXOXO.jpg?resize=300,297 300w\" data-lazy-sizes=\"(max-width: 300px) 85vw, 300px\"\/><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"297\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Camilla-Cabello-CXOXO.jpg?w=300\" class=\"attachment-medium size-medium\" alt=\"Camila Cabello, 'C,XOXO'\" srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Camilla-Cabello-CXOXO.jpg 1280w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Camilla-Cabello-CXOXO.jpg?resize=150,150 150w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Camilla-Cabello-CXOXO.jpg?resize=300,297 300w\" sizes=\"auto, (max-width: 300px) 85vw, 300px\"\/>\t\t\t\t\t<\/figure>\n<p>\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tCamila Cabello wasn\u2019t looking for a \u201cSe\u00f1orita\u201d or a \u201cHavana\u201d on <em><a href=\"https:\/\/www.rollingstone.com\/music\/music-album-reviews\/camila-cabello-c-xoxo-review-1235046250\/\">C, XOXO<\/a><\/em>. The pop star wanted to subvert expectations and stretch her songwriting muscles on an experimental record that will inevitably become a cult classic. \u201cIt was about finding that strangeness,\u201d she<a href=\"https:\/\/www.rollingstone.com\/culture\/rs-gaming\/camila-cabello-the-who-behind-blue-eyes-diablo-iv-1235117064\/\"> told <em>Rolling Stone<\/em><\/a>. On the album, produced by mastermind El Guincho, the former Fifth Harmony star laced a Pitbull sample on piano ballad \u201cB.O.A.T,\u201d welcomed 2025\u2019s Villain of the Year Drake on the danceable \u201cHot Uptown,\u201d and bared it all on deluxe album closer \u201cGodspeed.\u201d<em> <\/em>\u2014<em>T.M.<\/em><\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>The Hard Quartet, \u2018The Hard Quartet\u2019<\/h2>\n<figure>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"The Hard Quartet, 'The Hard Quartet'\" data-lazy-src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/The-Hard-Quartet-The-Hard-Quartet.jpg?w=300\" data-lazy-srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/The-Hard-Quartet-The-Hard-Quartet.jpg 1200w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/The-Hard-Quartet-The-Hard-Quartet.jpg?resize=150,150 150w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/The-Hard-Quartet-The-Hard-Quartet.jpg?resize=300,300 300w\" data-lazy-sizes=\"(max-width: 300px) 85vw, 300px\"\/><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/The-Hard-Quartet-The-Hard-Quartet.jpg?w=300\" class=\"attachment-medium size-medium\" alt=\"The Hard Quartet, 'The Hard Quartet'\" srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/The-Hard-Quartet-The-Hard-Quartet.jpg 1200w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/The-Hard-Quartet-The-Hard-Quartet.jpg?resize=150,150 150w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/The-Hard-Quartet-The-Hard-Quartet.jpg?resize=300,300 300w\" sizes=\"auto, (max-width: 300px) 85vw, 300px\"\/>\t\t\t\t\t<\/figure>\n<p>\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tMeet the year\u2019s favorite indie-rock supergroup. In this corner: Stephen Malkmus, from Pavement and the Jicks. In that one: Matt Sweeney, from Chavez and Superwolf. They\u2019re joined by Dirty Three drum legend Jim White and Ty Segall bassist Emmett Kelly. They\u2019re basically the Matador Wilburys\u2014an all-star team where listening just means hanging out and soaking up the friendly vibe. The Hard Quartet\u2019s awesomely shaggy <a href=\"https:\/\/www.rollingstone.com\/music\/music-album-reviews\/the-hard-quartet-review-1235124771\/\">debut album<\/a> slams hard in Seventies rock mode. But it peaks even higher when it slows down for hippie-folk bongwater ballads like \u201cSix Deaf Rats\u201d and \u201cJacked Existence.\u201d<em>\u2013Rob Sheffield<\/em><\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>Floating Points, \u2018Cascade\u2019<\/h2>\n<figure>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"Floating Points, 'Cascade'\" data-lazy-src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Floating-Points-Cascade.jpg?w=300\" data-lazy-srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Floating-Points-Cascade.jpg 1000w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Floating-Points-Cascade.jpg?resize=150,150 150w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Floating-Points-Cascade.jpg?resize=300,300 300w\" data-lazy-sizes=\"(max-width: 300px) 85vw, 300px\"\/><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Floating-Points-Cascade.jpg?w=300\" class=\"attachment-medium size-medium\" alt=\"Floating Points, 'Cascade'\" srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Floating-Points-Cascade.jpg 1000w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Floating-Points-Cascade.jpg?resize=150,150 150w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Floating-Points-Cascade.jpg?resize=300,300 300w\" sizes=\"auto, (max-width: 300px) 85vw, 300px\"\/>\t\t\t\t\t<\/figure>\n<p>\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe British electronic musician Floating Points has made a name for himself as a diligent forager into more experimental and esoteric sounds. In 2021, he released <em>Promises<\/em>, a collaboration with jazz great Pharoah Sanders. That album seemed to clear the way for a more club-centered focus, tapping into Floating Points\u2019 talents as a techno producer. <em>Cascade<\/em> is a compelling meeting of worlds. The result are kaleidoscopic, trance-feeling tracks that harken back to the human rhythms of the dance floor.<em> <\/em>\u2014<em>Jeff Ihaza<\/em><\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>NSQK, \u2018ATP\u2019<\/h2>\n<figure>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"NSQK, 'ATP'\" data-lazy-src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/NSQK-ATP.jpg?w=300\" data-lazy-srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/NSQK-ATP.jpg 1000w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/NSQK-ATP.jpg?resize=150,150 150w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/NSQK-ATP.jpg?resize=300,300 300w\" data-lazy-sizes=\"(max-width: 300px) 85vw, 300px\"\/><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/NSQK-ATP.jpg?w=300\" class=\"attachment-medium size-medium\" alt=\"NSQK, 'ATP'\" srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/NSQK-ATP.jpg 1000w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/NSQK-ATP.jpg?resize=150,150 150w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/NSQK-ATP.jpg?resize=300,300 300w\" sizes=\"auto, (max-width: 300px) 85vw, 300px\"\/>\t\t\t\t\t<\/figure>\n<p>\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tMexican American artist NSQK\u2019s second project\u00a0is a showcase for his unbridled imagination. Structured like a late-night radio show, the LP goes through the highs and lows of trying to get over heartbreak. The excellent first track \u201cA\u00fan Te Pienso\u201d sets everything up as NSQK lets out bruised rap verses about someone he\u2019s still thinking about years later. From there, he unleashes a torrent of colors and feelings, reflecting on bad fights over hyper-cosmic beats on \u201cBlame Game,\u201d narrating nights with someone new on the endlessly bright \u201cTarde o Temprano,\u201d and proving throughout just how much promise he has. \u2014 <em>J.L.<\/em><\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>Hinds, \u2018Viva Hinds\u2019<\/h2>\n<figure>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"Hinds, 'Viva Hinds'\" data-lazy-src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/04\/Hinds-VIVA-HINDS-Album-Artwork.jpg?w=300\" data-lazy-srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/04\/Hinds-VIVA-HINDS-Album-Artwork.jpg 1500w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/04\/Hinds-VIVA-HINDS-Album-Artwork.jpg?resize=150,150 150w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/04\/Hinds-VIVA-HINDS-Album-Artwork.jpg?resize=300,300 300w\" data-lazy-sizes=\"(max-width: 300px) 85vw, 300px\"\/><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/04\/Hinds-VIVA-HINDS-Album-Artwork.jpg?w=300\" class=\"attachment-medium size-medium\" alt=\"Hinds, 'Viva Hinds'\" srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/04\/Hinds-VIVA-HINDS-Album-Artwork.jpg 1500w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/04\/Hinds-VIVA-HINDS-Album-Artwork.jpg?resize=150,150 150w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/04\/Hinds-VIVA-HINDS-Album-Artwork.jpg?resize=300,300 300w\" sizes=\"auto, (max-width: 300px) 85vw, 300px\"\/>\t\t\t\t\t<\/figure>\n<p>\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe Spanish guitar goddesses in Hinds have been through it lately, like most of us. But they bounce back hard in their fabulously resilient <em><a href=\"https:\/\/www.rollingstone.com\/music\/music-album-reviews\/hinds-viva-hinds-review-1235096797\/\">Viva Hinds<\/a>. <\/em>It\u2019s their fourth and finest album, a brash half-hour of swaggering garage rockers about facing heartache by turning it into a sarcastic joke, with guitars cranked up all the way. Fontaines D.C. frontman Grian Chatten drops in for \u201cStrangers,\u201d fitting right into their sugary harmonies with his surly Dublin punk sneer. But Hinds aren\u2019t the type to wallow in despair, and <em>Viva Hinds<\/em> is a righteous soundtrack to leaving hard times behind and rushing forward.\u2014<em>R.S.\u00a0<\/em><\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>The Last Dinner Party, \u2018Prelude to Ecstasy\u2019<\/h2>\n<figure>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"Last Dinner Party, 'Prelude to Ecstasy'\" data-lazy-src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/last-dinner-party-prelude-to-ecstasy.jpg?w=300\" data-lazy-srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/last-dinner-party-prelude-to-ecstasy.jpg 1000w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/last-dinner-party-prelude-to-ecstasy.jpg?resize=150,150 150w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/last-dinner-party-prelude-to-ecstasy.jpg?resize=300,300 300w\" data-lazy-sizes=\"(max-width: 300px) 85vw, 300px\"\/><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/last-dinner-party-prelude-to-ecstasy.jpg?w=300\" class=\"attachment-medium size-medium\" alt=\"Last Dinner Party, 'Prelude to Ecstasy'\" srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/last-dinner-party-prelude-to-ecstasy.jpg 1000w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/last-dinner-party-prelude-to-ecstasy.jpg?resize=150,150 150w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/last-dinner-party-prelude-to-ecstasy.jpg?resize=300,300 300w\" sizes=\"auto, (max-width: 300px) 85vw, 300px\"\/>\t\t\t\t\t<\/figure>\n<p>\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tAppropriate for a band that came together just before and during the early years of the pandemic, the U.K. band\u2019s <a href=\"https:\/\/www.rollingstone.com\/music\/music-album-reviews\/the-last-dinner-party-prelude-to-ecstasy-review-1234950982\/\">debut album <\/a>may be the ideal soundtrack for reentering a messy world newly open for business. Songs like \u201cCaesar on a TV Screen\u201d and \u201cBurn Alive\u201d start like hungover reveries before vaulting into trampoline pop, wrapping up with crashing crescendos. There\u2019s no denying the way their blowsy, unrestrained songs knock you upside and down and leave you with a dizzying high.<em> <\/em>\u2014<em>David Browne<\/em><\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>Adeem the Artist, \u2018Anniversary\u2019<\/h2>\n<figure>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"Adeem the Artist, 'Anniversary'\" data-lazy-src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Adeem-the-Artist-Anniversary.jpg?w=300\" data-lazy-srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Adeem-the-Artist-Anniversary.jpg 1000w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Adeem-the-Artist-Anniversary.jpg?resize=150,150 150w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Adeem-the-Artist-Anniversary.jpg?resize=300,300 300w\" data-lazy-sizes=\"(max-width: 300px) 85vw, 300px\"\/><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Adeem-the-Artist-Anniversary.jpg?w=300\" class=\"attachment-medium size-medium\" alt=\"Adeem the Artist, 'Anniversary'\" srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Adeem-the-Artist-Anniversary.jpg 1000w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Adeem-the-Artist-Anniversary.jpg?resize=150,150 150w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Adeem-the-Artist-Anniversary.jpg?resize=300,300 300w\" sizes=\"auto, (max-width: 300px) 85vw, 300px\"\/>\t\t\t\t\t<\/figure>\n<p>\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe follow-up to the country-folkie\u2019s 2022 breakthrough, W<em>hite Trash Revelry<\/em>, is a soul-deep meditation on aging, faded dreams, and global dystopia that expands and brightens the East Tennessee songwriter\u2019s scope and sound. There\u2019s Tom Petty country, bluesy New Orleans dirges, and fingerpicked folk. Most importantly, there are Adeem\u2019s stories, which are equally moving and convincing in their confrontation of American violence and racial hatred and their intimate chronicling of parenthood and falling in love.<em> <\/em>\u2014<em>Jonathan Bernstein <\/em><\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>Liquid Mike, \u2018Paul Bunyan\u2019s Sling Shot\u2019<\/h2>\n<figure>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"Liquid Mike, 'Paul Bunyan\u2019s Slingshot'\" data-lazy-src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/liquid-mike-paul-bunyans-slingshot.jpg?w=300\" data-lazy-srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/liquid-mike-paul-bunyans-slingshot.jpg 1000w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/liquid-mike-paul-bunyans-slingshot.jpg?resize=150,150 150w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/liquid-mike-paul-bunyans-slingshot.jpg?resize=300,300 300w\" data-lazy-sizes=\"(max-width: 300px) 85vw, 300px\"\/><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/liquid-mike-paul-bunyans-slingshot.jpg?w=300\" class=\"attachment-medium size-medium\" alt=\"Liquid Mike, 'Paul Bunyan\u2019s Slingshot'\" srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/liquid-mike-paul-bunyans-slingshot.jpg 1000w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/liquid-mike-paul-bunyans-slingshot.jpg?resize=150,150 150w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/liquid-mike-paul-bunyans-slingshot.jpg?resize=300,300 300w\" sizes=\"auto, (max-width: 300px) 85vw, 300px\"\/>\t\t\t\t\t<\/figure>\n<p>\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tFronted by a mailman, this Michigan indie-rock band highlights their Replacements-y Midwestern-ness by opening with \u201cDrinking and Driving,\u201d a song that refers to an essential life skill the members of Liquid Mike may have had down before they were out of high school. On <em><a href=\"https:\/\/www.rollingstone.com\/music\/music-album-reviews\/liquid-mike-paul-bunyans-slingshot-review-1234962545\/\">Paul Bunyan\u2019s Sling <\/a><\/em>S<em><a href=\"https:\/\/www.rollingstone.com\/music\/music-album-reviews\/liquid-mike-paul-bunyans-slingshot-review-1234962545\/\">hot, <\/a><\/em>they play short, fast, muscular songs that split the difference between Nineties pop punk and Nineties indie rock, tempering the petulant angst of the former with the latter\u2019s winning resignation.<em> <\/em>\u2014<em>J.D.<\/em><\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>Xavi, \u2018NEXT\u2019<\/h2>\n<figure>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"Xavi, 'NEXT'\" data-lazy-src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Xavi-NEXT.jpg?w=300\" data-lazy-srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Xavi-NEXT.jpg 1200w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Xavi-NEXT.jpg?resize=150,150 150w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Xavi-NEXT.jpg?resize=300,300 300w\" data-lazy-sizes=\"(max-width: 300px) 85vw, 300px\"\/><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Xavi-NEXT.jpg?w=300\" class=\"attachment-medium size-medium\" alt=\"Xavi, 'NEXT'\" srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Xavi-NEXT.jpg 1200w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Xavi-NEXT.jpg?resize=150,150 150w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Xavi-NEXT.jpg?resize=300,300 300w\" sizes=\"auto, (max-width: 300px) 85vw, 300px\"\/>\t\t\t\t\t<\/figure>\n<p>\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tAnchored by the massive back-to-back hits \u201cLa V\u00edctima\u201d and \u201cLa Diabla,\u201d <em>Next<\/em> cemented Xavi as a innovator in an already-packed corrido scene. The album continues the 20-year-old\u2019s mission of staying true to the genre\u2019s roots while incorporating new sounds and skipping predictable chains and money lyrics to tell stories of love and heartbreak.\u00a0\u201cTu Casi Algo\u201d weaves classic corrido instrumentation with a darker vibe for an almost ska-tumbado alongside his brother Fabio Capri, and earworm \u201cLa Diabla\u201d became an instant classic thanks to his raspy vocals and slight lisp.<em> <\/em>\u2014<em>T.M.<\/em><\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>Claire Rousay, \u2018Sentiment\u2019<\/h2>\n<figure>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"Claire Rousay, 'Sentiment'\" data-lazy-src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/Claire-Rousay-Sentiment.jpg?w=300\" data-lazy-srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/Claire-Rousay-Sentiment.jpg 1000w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/Claire-Rousay-Sentiment.jpg?resize=150,150 150w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/Claire-Rousay-Sentiment.jpg?resize=300,300 300w\" data-lazy-sizes=\"(max-width: 300px) 85vw, 300px\"\/><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/Claire-Rousay-Sentiment.jpg?w=300\" class=\"attachment-medium size-medium\" alt=\"Claire Rousay, 'Sentiment'\" srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/Claire-Rousay-Sentiment.jpg 1000w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/Claire-Rousay-Sentiment.jpg?resize=150,150 150w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/Claire-Rousay-Sentiment.jpg?resize=300,300 300w\" sizes=\"auto, (max-width: 300px) 85vw, 300px\"\/>\t\t\t\t\t<\/figure>\n<p>\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tClaire Rousay has spent the past few years building her own adventurous style of electronic collage, calling it \u201cemo ambient.\u201d<em><a href=\"https:\/\/www.rollingstone.com\/music\/music-album-reviews\/claire-rousay-sentiment-review-1235008278\/\"> Sentiment <\/a><\/em>is her self-described pop album, building her late-night diary entries out of synth textures, warped melodies, robot Auto-Tune vocals, and rock guitar weaving in and out of the mix. Her big theme on\u00a0<em>Sentiment<\/em>\u00a0is loneliness, and she evokes it in the wide-open spaces in the music, from her Auto-Tuned vocal alienation to her nervously clumsy guitar.\u00a0The whole album flows like Brian Eno\u2019s <em>Another Green World<\/em> through the ears of a big Pedro the Lion fan<em>. <\/em>\u2014<em>R.S.<\/em><\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>Vince Staples, \u2018Dark Times\u2019<\/h2>\n<figure>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"Vince Staples, 'Dark Times'\" data-lazy-src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/vince-staples-dark-times.jpeg?w=300\" data-lazy-srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/vince-staples-dark-times.jpeg 1000w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/vince-staples-dark-times.jpeg?resize=150,150 150w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/vince-staples-dark-times.jpeg?resize=300,300 300w\" data-lazy-sizes=\"(max-width: 300px) 85vw, 300px\"\/><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/vince-staples-dark-times.jpeg?w=300\" class=\"attachment-medium size-medium\" alt=\"Vince Staples, 'Dark Times'\" srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/vince-staples-dark-times.jpeg 1000w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/vince-staples-dark-times.jpeg?resize=150,150 150w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/vince-staples-dark-times.jpeg?resize=300,300 300w\" sizes=\"auto, (max-width: 300px) 85vw, 300px\"\/>\t\t\t\t\t<\/figure>\n<p>\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cWho can I call when I need help?\/Juggling thuggin\u2019, depression, and pride,\u201d Vince Staples raps on <em><a href=\"https:\/\/www.rollingstone.com\/music\/music-album-reviews\/vince-staples-dark-times-review-1235027300\/\">Dark Times<\/a><\/em>. As the title suggests, his sixth album is another dose of raps about Staples taking stock of his Long Beach, California, upbringing.\u00a0The bulk of the album shows the rapper contending with the tumult of his environment, including how his trauma has led to dysfunctional relationships. On album standout \u201cJustin,\u201d he writes a story that steadily builds tension to an anticlimactic ending that brilliantly encapsulates the seemingly omnipotent risk of toiling in the streets.<em> <\/em>\u2014<em>A.G.\u00a0<\/em><\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>Peso Pluma, \u2018\u00c9xodo\u2019<\/h2>\n<figure>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"Peso Pluma, '\u00c9xodo'\" data-lazy-src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Peso-Pluma-Exodo.jpg?w=300\" data-lazy-srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Peso-Pluma-Exodo.jpg 1280w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Peso-Pluma-Exodo.jpg?resize=150,150 150w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Peso-Pluma-Exodo.jpg?resize=300,300 300w\" data-lazy-sizes=\"(max-width: 300px) 85vw, 300px\"\/><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Peso-Pluma-Exodo.jpg?w=300\" class=\"attachment-medium size-medium\" alt=\"Peso Pluma, '\u00c9xodo'\" srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Peso-Pluma-Exodo.jpg 1280w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Peso-Pluma-Exodo.jpg?resize=150,150 150w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Peso-Pluma-Exodo.jpg?resize=300,300 300w\" sizes=\"auto, (max-width: 300px) 85vw, 300px\"\/>\t\t\t\t\t<\/figure>\n<p>\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tAfter a year of headlining festivals and working with everyone from DJ Snake to Kali Uchis, it\u2019s become clear that Peso Pluma is trying to transcend m\u00fasica mexicana. This couldn\u2019t be more obvious on <a href=\"https:\/\/www.rollingstone.com\/music\/music-album-reviews\/peso-pluma-exodo-review-1235042949\/\"><em>\u00c9xodo<\/em>,<\/a> a two-disc behemoth that bridges two worlds: his roots in corridos tumbados with the allure of American rap music. He\u2019s equally as comfortable collaborating with Jasiel Nu\u00f1ez and Chino Pacas as he is with Quavo and Cardi B \u2014 a highlight is the latter\u2019s track with Pluma, \u201cPut \u2018Em in the Fridge,\u201d where the two trade off lines in both English and Spanish over a mariachi-trap beat.<em> <\/em>\u2014<em>Reanna Cruz<\/em><\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>Ice Spice, \u2018Y2K\u2019<\/h2>\n<figure>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"Ice Spice, 'Y2K'\" data-lazy-src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Ice-Spice-Y2K.jpg?w=300\" data-lazy-srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Ice-Spice-Y2K.jpg 1200w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Ice-Spice-Y2K.jpg?resize=150,150 150w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Ice-Spice-Y2K.jpg?resize=300,300 300w\" data-lazy-sizes=\"(max-width: 300px) 85vw, 300px\"\/><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Ice-Spice-Y2K.jpg?w=300\" class=\"attachment-medium size-medium\" alt=\"Ice Spice, 'Y2K'\" srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Ice-Spice-Y2K.jpg 1200w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Ice-Spice-Y2K.jpg?resize=150,150 150w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Ice-Spice-Y2K.jpg?resize=300,300 300w\" sizes=\"auto, (max-width: 300px) 85vw, 300px\"\/>\t\t\t\t\t<\/figure>\n<p>\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe Bronx-born sensation\u2019s <a href=\"https:\/\/www.rollingstone.com\/music\/music-album-reviews\/ice-spice-y2k-review-2-1235068393\/\">proper debut <\/a>was not a major departure from the catchy, New York drill-indebted singles that made her a sensation. Instead, it was an album full of subtle shifts, mixing up her flows and working in Jersey club-styled sounds, among other shades of the new, but generally getting by on charisma and NYC bravado. It\u2019s fun listening to her hyper-confident assertions on an album that zips by and ends before it wears out its welcome. \u201cI was just like, \u2018OK, guys, I can rap, relax,\u2019\u201d she told <em>Rolling Stone<\/em>, in her very Ice Spice way, explaining how the album answered haters.<em> <\/em>\u2014<em>Christian Hoard<\/em><\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>Maggie Rose, \u2018No One Gets Out Alive\u2019<\/h2>\n<figure>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"Maggie Rose, 'No One Gets Out Alive'\" data-lazy-src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/maggie-rose-no-one-gets-out-alive.jpg?w=300\" data-lazy-srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/maggie-rose-no-one-gets-out-alive.jpg 1000w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/maggie-rose-no-one-gets-out-alive.jpg?resize=150,150 150w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/maggie-rose-no-one-gets-out-alive.jpg?resize=300,300 300w\" data-lazy-sizes=\"(max-width: 300px) 85vw, 300px\"\/><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/maggie-rose-no-one-gets-out-alive.jpg?w=300\" class=\"attachment-medium size-medium\" alt=\"Maggie Rose, 'No One Gets Out Alive'\" srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/maggie-rose-no-one-gets-out-alive.jpg 1000w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/maggie-rose-no-one-gets-out-alive.jpg?resize=150,150 150w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/maggie-rose-no-one-gets-out-alive.jpg?resize=300,300 300w\" sizes=\"auto, (max-width: 300px) 85vw, 300px\"\/>\t\t\t\t\t<\/figure>\n<p>\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tAfter years struggling to make it as a country artist, Maggie Rose changed up her sound on her past two albums, delving into R&amp;B and country funk. <a href=\"https:\/\/www.rollingstone.com\/music\/music-album-reviews\/maggie-rose-no-one-gets-out-alive-review-1235000895\/\"><em>No One Gets Out Alive<\/em><\/a> cements her reinvention as one of the most successful in Nashville history. The album evokes vintage Carole King and Joni Mitchell, the Laurel Canyon scene, and hints of Eighties Sade. Rose is at her controlled best on ballads like \u201cToo Young\u201d and \u201cVanish,\u201d but she allows herself to rock with abandon, too<em>. <\/em>\u2014<em>J.H.<\/em><\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>Sexyy Red, \u2018In Sexyy We Trust\u2019<\/h2>\n<figure>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"Sexyy Red, 'In Sexyy We Trust'\" data-lazy-src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/sexyy-red-in-sexyy-we-trust.jpeg?w=300\" data-lazy-srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/sexyy-red-in-sexyy-we-trust.jpeg 1440w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/sexyy-red-in-sexyy-we-trust.jpeg?resize=150,150 150w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/sexyy-red-in-sexyy-we-trust.jpeg?resize=300,300 300w\" data-lazy-sizes=\"(max-width: 300px) 85vw, 300px\"\/><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/sexyy-red-in-sexyy-we-trust.jpeg?w=300\" class=\"attachment-medium size-medium\" alt=\"Sexyy Red, 'In Sexyy We Trust'\" srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/sexyy-red-in-sexyy-we-trust.jpeg 1440w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/sexyy-red-in-sexyy-we-trust.jpeg?resize=150,150 150w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/sexyy-red-in-sexyy-we-trust.jpeg?resize=300,300 300w\" sizes=\"auto, (max-width: 300px) 85vw, 300px\"\/>\t\t\t\t\t<\/figure>\n<p>\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tLeave it to Sexyy Red to kick the summer off with a raunchy feel-good anthem. In this case, it\u2019s \u201cGet It Sexyy,\u201d where Sexyy Red is there to introduce herself: \u201cSlim thick, caramel skin\/Five-five, this bitch a 10,\u201d she raps, riding the tension between producer Tay Keith\u2019s drums. Red and Keith\u2019s creative partnership has managed to christen a distinct sound all her own. Even when she\u2019s offering a life raft to Drake on the playfully catchy \u201cU My Everything,\u201d it\u2019s still Sexyy Red\u2019s moment. Like the mixtape title says,\u00a0<em>In Sexyy We Trust.<\/em> \u2014<em>J.I.<\/em><\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>Charly Bliss, \u2018Forever\u2019<\/h2>\n<figure>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"Charly Bliss, Forever\" data-lazy-src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/09\/Charly-Bliss-Forever.jpg?w=300\" data-lazy-srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/09\/Charly-Bliss-Forever.jpg 1200w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/09\/Charly-Bliss-Forever.jpg?resize=150,150 150w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/09\/Charly-Bliss-Forever.jpg?resize=300,300 300w\" data-lazy-sizes=\"(max-width: 300px) 85vw, 300px\"\/><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/09\/Charly-Bliss-Forever.jpg?w=300\" class=\"attachment-medium size-medium\" alt=\"Charly Bliss, Forever\" srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/09\/Charly-Bliss-Forever.jpg 1200w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/09\/Charly-Bliss-Forever.jpg?resize=150,150 150w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/09\/Charly-Bliss-Forever.jpg?resize=300,300 300w\" sizes=\"auto, (max-width: 300px) 85vw, 300px\"\/>\t\t\t\t\t<\/figure>\n<p>\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tWhen\u00a0Charly Bliss\u00a0first came out of Brooklyn, they were snappy Nineties alt-rock revivalists. On\u00a0<em><a href=\"https:\/\/www.rollingstone.com\/music\/music-album-reviews\/charly-bliss-forever-review-1235081655\/\">Forever<\/a><\/em>, they lean way into the pop side of their sound. Indie bands often dream of writing songs that connect with the larger Top 40 world while still maintaining their own musical and emotional integrity. Few do it this well. \u201cI\u2019m Not Dead\u201d suggests Olivia Rodrigo after binging Weezer\u2019s\u00a0Blue Album. \u201cI Don\u2019t Know Anything\u201d is shoegaze teen pop, like Hotline TNT soundtracking a pivotal scene in a Netflix coming-of-age drama.<em> <\/em>\u2014<em>J.D.<\/em><\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>This Is Lorelei, \u2018Box for Buddy, Box for Star\u2019<\/h2>\n<figure>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"This Is Lorelei, 'Box for Buddy, Box for Star'\" data-lazy-src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/This-Is-Lorelei-Box-for-Buddy-Box-for-Star.jpg?w=300\" data-lazy-srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/This-Is-Lorelei-Box-for-Buddy-Box-for-Star.jpg 1200w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/This-Is-Lorelei-Box-for-Buddy-Box-for-Star.jpg?resize=150,150 150w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/This-Is-Lorelei-Box-for-Buddy-Box-for-Star.jpg?resize=300,300 300w\" data-lazy-sizes=\"(max-width: 300px) 85vw, 300px\"\/><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/This-Is-Lorelei-Box-for-Buddy-Box-for-Star.jpg?w=300\" class=\"attachment-medium size-medium\" alt=\"This Is Lorelei, 'Box for Buddy, Box for Star'\" srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/This-Is-Lorelei-Box-for-Buddy-Box-for-Star.jpg 1200w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/This-Is-Lorelei-Box-for-Buddy-Box-for-Star.jpg?resize=150,150 150w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/This-Is-Lorelei-Box-for-Buddy-Box-for-Star.jpg?resize=300,300 300w\" sizes=\"auto, (max-width: 300px) 85vw, 300px\"\/>\t\t\t\t\t<\/figure>\n<p>\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tWould you believe us if we told you that one of the anarchic noisemakers from New York\u2019s <a data-id=\"https:\/\/www.rollingstone.com\/music\/music-features\/water-from-your-eyes-interview-new-album-everyones-crushed-1234739866\/\" data-type=\"link\" href=\"https:\/\/www.rollingstone.com\/music\/music-features\/water-from-your-eyes-interview-new-album-everyones-crushed-1234739866\/\">Water From Your Eyes<\/a> is also a sweet, sad singer-songwriter in the tradition of Elliott Smith? No joke. Nate Amos\u2019 first proper LP from his long-running Bandcamp project is a revelation, full of gorgeous alt-country tunes with a genuine warmth behind them. He sings with open-hearted honesty about love, regret, and sobriety over radiantly melodic DIY arrangements on songs like \u201cWhere\u2019s Your Love Now\u201d and \u201cTwo Legs.\u201d It\u2019s his greatest trick yet, and a sign of a major talent with much more to show us. \u2014<em>S.V.L.<\/em><\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>ScHoolboy Q, \u2018Blue Lips\u2019<\/h2>\n<figure>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"Schoolboy Q, 'Blue Lips'\" data-lazy-src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/ScHoolboy-Q-Blue-Lips.jpg?w=300\" data-lazy-srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/ScHoolboy-Q-Blue-Lips.jpg 1000w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/ScHoolboy-Q-Blue-Lips.jpg?resize=150,150 150w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/ScHoolboy-Q-Blue-Lips.jpg?resize=300,300 300w\" data-lazy-sizes=\"(max-width: 300px) 85vw, 300px\"\/><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/ScHoolboy-Q-Blue-Lips.jpg?w=300\" class=\"attachment-medium size-medium\" alt=\"Schoolboy Q, 'Blue Lips'\" srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/ScHoolboy-Q-Blue-Lips.jpg 1000w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/ScHoolboy-Q-Blue-Lips.jpg?resize=150,150 150w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/ScHoolboy-Q-Blue-Lips.jpg?resize=300,300 300w\" sizes=\"auto, (max-width: 300px) 85vw, 300px\"\/>\t\t\t\t\t<\/figure>\n<p>\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<em><a href=\"https:\/\/www.rollingstone.com\/music\/music-album-reviews\/schoolboy-q-blue-lips-review-1234978982\/\">Blue Lips <\/a><\/em>returns to the dynamic stylings of the L.A. rapper\u2019s 2016 highlight, <em>Blank Fac<\/em>e, albeit with a few important twists. For every confessional moment like \u201cCooties,\u201d there are three or four teeth-baring mashers like \u201cPop,\u201d where he flexes alongside an animated Rico Nasty. The way his oscillating raps contrast with the LP\u2019s frequently dreamlike production makes <em>Blue Lips<\/em> feel like an inebriated haze. Years into his run, ScHoolboy Q\u2019s personality remains compellingly out of focus. <em>\u2014M.R.<\/em><\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>Rosie Tucker, \u2018Utopia Now!\u2019<\/h2>\n<figure>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"Rosie Tucker, 'Utopia Now'\" data-lazy-src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/rosie-tucker-utopia-now.jpg?w=300\" data-lazy-srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/rosie-tucker-utopia-now.jpg?resize=150,150 150w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/rosie-tucker-utopia-now.jpg?resize=300,300 300w\" data-lazy-sizes=\"(max-width: 300px) 85vw, 300px\"\/><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/rosie-tucker-utopia-now.jpg?w=300\" class=\"attachment-medium size-medium\" alt=\"Rosie Tucker, 'Utopia Now'\" srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/rosie-tucker-utopia-now.jpg?resize=150,150 150w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/rosie-tucker-utopia-now.jpg?resize=300,300 300w\" sizes=\"auto, (max-width: 300px) 85vw, 300px\"\/>\t\t\t\t\t<\/figure>\n<p>\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tRosie Tucker rips modern culture apart in <em><a href=\"https:\/\/www.rollingstone.com\/wp-admin\/post.php?post=1234999539&amp;action=edit\">Utopia Now!,<\/a><\/em> a fresh, biting, innovative, and fantastic piece of indie-rock agit-prop tunecraft. These songs combine a twentysomething malaise with a critique of the consumerist machine, and what it does to our brains. You might hear That Dog or Juliana Hatfield in the sound, with a pop-punk crunch in Tucker\u2019s guitar. But the mix of playful humor and anger also evokes the Minutemen, as Tucker swerves between blunt propaganda and storm-in-my-house emotion. \u2014<em>R.S.<\/em><\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>ELUCID, \u2018Revelator\u2019<\/h2>\n<figure>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"Elucid, 'Revelator'\" data-lazy-src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Elucid-Revelator.jpg?w=300\" data-lazy-srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Elucid-Revelator.jpg 1000w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Elucid-Revelator.jpg?resize=150,150 150w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Elucid-Revelator.jpg?resize=300,300 300w\" data-lazy-sizes=\"(max-width: 300px) 85vw, 300px\"\/><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Elucid-Revelator.jpg?w=300\" class=\"attachment-medium size-medium\" alt=\"Elucid, 'Revelator'\" srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Elucid-Revelator.jpg 1000w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Elucid-Revelator.jpg?resize=150,150 150w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Elucid-Revelator.jpg?resize=300,300 300w\" sizes=\"auto, (max-width: 300px) 85vw, 300px\"\/>\t\t\t\t\t<\/figure>\n<p>\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThere are boundary-pushing albums, and then there are offerings unconcerned with the notion that boundaries even exist. ELUCID\u2019s <em>Revelator <\/em>is the latter. Aced with a mesh of live instrumentation and industrial flair from a who\u2019s who of indie-rap producers, the indie-rap stalwart\u2019s third solo album excels at encapsulating complex ideas with compact brilliance. On \u201cSlum of a Disregard\u201d he surmises, \u201cComfort\u2019s a material condition, core rotted,\u201d before later lamenting, \u201cmy landlord\u2019s a Zionist.\u201d Who knows what the path forward looks like, but it gets easier to parse with sages like ELUCID around.<em> <\/em>\u2014<em>A.G.<\/em><\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>Maggie Rogers, \u2018Don\u2019t Forget Me\u2019<\/h2>\n<figure>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"Maggie Rogers, 'Don't Forgive Me'\" data-lazy-src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/Maggie-Rogers-Dont-Forget-Me.jpg?w=300\" data-lazy-srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/Maggie-Rogers-Dont-Forget-Me.jpg 1000w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/Maggie-Rogers-Dont-Forget-Me.jpg?resize=150,150 150w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/Maggie-Rogers-Dont-Forget-Me.jpg?resize=300,300 300w\" data-lazy-sizes=\"(max-width: 300px) 85vw, 300px\"\/><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/Maggie-Rogers-Dont-Forget-Me.jpg?w=300\" class=\"attachment-medium size-medium\" alt=\"Maggie Rogers, 'Don't Forgive Me'\" srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/Maggie-Rogers-Dont-Forget-Me.jpg 1000w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/Maggie-Rogers-Dont-Forget-Me.jpg?resize=150,150 150w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/Maggie-Rogers-Dont-Forget-Me.jpg?resize=300,300 300w\" sizes=\"auto, (max-width: 300px) 85vw, 300px\"\/>\t\t\t\t\t<\/figure>\n<p>\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tMaggie Rogers\u2019 third album is a heavy emotional lift, but it\u2019s an easygoing listen. Co-produced with Ian Fitchuk (who worked on Kacey Musgraves\u2019 career-defining <em>Golden Hour<\/em>),<em><a href=\"https:\/\/www.rollingstone.com\/music\/music-album-reviews\/maggie-rogers-dont-forget-me-review-1235001995\/\"> Don\u2019t Forget Me<\/a><\/em> strips away the synth\u2013steeped singer-songwriter production of her 2019 album, <em>Heard It in a Past Life, <\/em>and the alt-rock experimentation of 2022\u2019s<em> Surrender<\/em> to reveal a rustic, more organic-feeling pop-rock sound. Upbeat tracks like \u201cOn and On and On\u201d and \u201cNever Going Home\u201d are perfectly made for big-voiced singalongs. \u2014<em>M.G.<\/em><\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>Arooj Aftab, \u2018Night Reign\u2019<\/h2>\n<figure>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"Arooj Agtab, 'Nighgt Reign'\" data-lazy-src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/arooj-aftab-night-reign.jpg?w=300\" data-lazy-srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/arooj-aftab-night-reign.jpg 1000w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/arooj-aftab-night-reign.jpg?resize=150,150 150w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/arooj-aftab-night-reign.jpg?resize=300,300 300w\" data-lazy-sizes=\"(max-width: 300px) 85vw, 300px\"\/><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/arooj-aftab-night-reign.jpg?w=300\" class=\"attachment-medium size-medium\" alt=\"Arooj Agtab, 'Nighgt Reign'\" srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/arooj-aftab-night-reign.jpg 1000w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/arooj-aftab-night-reign.jpg?resize=150,150 150w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/arooj-aftab-night-reign.jpg?resize=300,300 300w\" sizes=\"auto, (max-width: 300px) 85vw, 300px\"\/>\t\t\t\t\t<\/figure>\n<p>\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tLast year, the Pakistani singer-musician-composer collaborated with pianist Vijay Iyer and multi-instrumentalist Shahzad Ismaily for the beautifully experimental <em>Love in Exile<\/em>, one of 2023\u2019s best albums. Aftab\u2019s dreamlike LP <em><a href=\"https:\/\/www.rollingstone.com\/music\/music-album-reviews\/arooj-aftab-night-reign-review-1235029582\/\">Night Reign<\/a><\/em> finds her getting even more rangy than usual \u2014 whether she\u2019s teaming up with poet and experimental musician Moor Mother for a meditation on the tenuous nature of reality in a fucked-up world, or turning the jazz standard \u201cAutumn Leaves\u201d into an almost foreboding nocturnal landscape<em>. <\/em>\u2014<em>B.E.<\/em><\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>Red Clay Strays, \u2018Made By These Moments\u2019<\/h2>\n<figure>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"The Red clay Strays, 'Made By These Moments'\" data-lazy-src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/09\/The-Red-clay-Strays-Made-By-These-Moments.jpg?w=300\" data-lazy-srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/09\/The-Red-clay-Strays-Made-By-These-Moments.jpg 1000w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/09\/The-Red-clay-Strays-Made-By-These-Moments.jpg?resize=150,150 150w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/09\/The-Red-clay-Strays-Made-By-These-Moments.jpg?resize=300,300 300w\" data-lazy-sizes=\"(max-width: 300px) 85vw, 300px\"\/><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/09\/The-Red-clay-Strays-Made-By-These-Moments.jpg?w=300\" class=\"attachment-medium size-medium\" alt=\"The Red clay Strays, 'Made By These Moments'\" srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/09\/The-Red-clay-Strays-Made-By-These-Moments.jpg 1000w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/09\/The-Red-clay-Strays-Made-By-These-Moments.jpg?resize=150,150 150w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/09\/The-Red-clay-Strays-Made-By-These-Moments.jpg?resize=300,300 300w\" sizes=\"auto, (max-width: 300px) 85vw, 300px\"\/>\t\t\t\t\t<\/figure>\n<p>\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tWhile the Red Clay Strays have been mostly associated with country or roots music since the release of their 2022 album,\u00a0<em>Moment of Truth<\/em>., the new\u00a0<a href=\"https:\/\/www.rollingstone.com\/music\/music-album-reviews\/the-red-clay-strays-made-by-these-moments-review-1235070933\/\"><em>Made By These Moments<\/em>\u00a0<\/a>veers more toward the hard blues-rock of Los Angeles in the late Eighties and early Nineties than anything coming out of Nashville today. Tracks like the ominous \u201cDisaster\u201d and the roadhouse boogie of \u201cRamblin\u2019\u201d evoke Nineties bands the\u00a0<a rel=\"noreferrer noopener nofollow\" target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=zcveGZv799w\">Four Horsemen<\/a>\u00a0and\u00a0<a rel=\"noreferrer noopener nofollow\" target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=DdWyIrCbyxQ\">Junkyard<\/a>\u00a0\u2014 two L.A. groups that, while lumped into the fading MTV metal genre, were distinctly Southern rock in their sounds and influences.<em> <\/em>\u2014<em>J.H.<\/em><\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>Helado Negro, \u2018Phasor\u2019<\/h2>\n<figure>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"Helado Negro, 'Phasor'\" data-lazy-src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/Helado-Negro-Phasor.jpeg?w=300\" data-lazy-srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/Helado-Negro-Phasor.jpeg 1280w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/Helado-Negro-Phasor.jpeg?resize=150,150 150w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/Helado-Negro-Phasor.jpeg?resize=300,300 300w\" data-lazy-sizes=\"(max-width: 300px) 85vw, 300px\"\/><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/Helado-Negro-Phasor.jpeg?w=300\" class=\"attachment-medium size-medium\" alt=\"Helado Negro, 'Phasor'\" srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/Helado-Negro-Phasor.jpeg 1280w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/Helado-Negro-Phasor.jpeg?resize=150,150 150w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/Helado-Negro-Phasor.jpeg?resize=300,300 300w\" sizes=\"auto, (max-width: 300px) 85vw, 300px\"\/>\t\t\t\t\t<\/figure>\n<p>\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tEach album that Roberto Carlos Lange Helado Negro makes seems to reveal a new side of him, offering a glimpse into his expansive imagination. <em>Phasor<\/em>, his eighth album, is among his most carefree and playful, allowing plenty of space for ideas and melodies to frolic. The excellent opener \u201cLFO,\u201d inspired by electronic pioneer Pauline Oliveros and amp master Lupe Lopez, is a subtle firework of a song and a statement in itself. Toward the end, he leaves a quiet declaration: \u201cY ya s\u00e9 qui\u00e9n soy.\u201d (\u201cAnd now I know who I am.\u201d) \u2014<em>J.L.<\/em><\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>Allegra Krieger, \u2018Art of the Unseen Infinity Machine\u2019<\/h2>\n<figure>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"Allegra Krieger, 'Art of the Unseen Infinity Machine'\" data-lazy-src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Allegra-Krieger-Art-of-the-Unseen-Infinity-Machine.jpg?w=300\" data-lazy-srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Allegra-Krieger-Art-of-the-Unseen-Infinity-Machine.jpg 1200w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Allegra-Krieger-Art-of-the-Unseen-Infinity-Machine.jpg?resize=150,150 150w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Allegra-Krieger-Art-of-the-Unseen-Infinity-Machine.jpg?resize=300,300 300w\" data-lazy-sizes=\"(max-width: 300px) 85vw, 300px\"\/><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Allegra-Krieger-Art-of-the-Unseen-Infinity-Machine.jpg?w=300\" class=\"attachment-medium size-medium\" alt=\"Allegra Krieger, 'Art of the Unseen Infinity Machine'\" srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Allegra-Krieger-Art-of-the-Unseen-Infinity-Machine.jpg 1200w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Allegra-Krieger-Art-of-the-Unseen-Infinity-Machine.jpg?resize=150,150 150w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Allegra-Krieger-Art-of-the-Unseen-Infinity-Machine.jpg?resize=300,300 300w\" sizes=\"auto, (max-width: 300px) 85vw, 300px\"\/>\t\t\t\t\t<\/figure>\n<p>\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tAllegra Krieger won a wider audience for her heady, philosophical indie folk on last year\u2019s <em>I Keep My Feet on the Fragile Plane<\/em>. This year, the New York songwriter plugged in for an electric record that\u2019s no less profound. When the LP starts, she\u2019s walking down Roosevelt Avenue in Queens, wondering about the meaning of life; when it ends half an hour later, she\u2019s driving a lonely highway in New Mexico, weighing love and loss. In between are songs like \u201cInto Eternity,\u201d \u201cOne or the Other,\u201d and \u201cCame\u201d \u2014 slowly winding interior journeys that will floor you on first listen, and keep you thinking long after the record ends. \u2014<em>S.V.L.<\/em><\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>Sierra Ferrell, \u2018Trail of Flowers\u2019<\/h2>\n<figure>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"Sierra Ferrell, 'Trail Of Flowers'\" data-lazy-src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Sierra-Ferrell-Trail-Of-Flowers.jpg?w=300\" data-lazy-srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Sierra-Ferrell-Trail-Of-Flowers.jpg 1200w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Sierra-Ferrell-Trail-Of-Flowers.jpg?resize=150,150 150w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Sierra-Ferrell-Trail-Of-Flowers.jpg?resize=300,300 300w\" data-lazy-sizes=\"(max-width: 300px) 85vw, 300px\"\/><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Sierra-Ferrell-Trail-Of-Flowers.jpg?w=300\" class=\"attachment-medium size-medium\" alt=\"Sierra Ferrell, 'Trail Of Flowers'\" srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Sierra-Ferrell-Trail-Of-Flowers.jpg 1200w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Sierra-Ferrell-Trail-Of-Flowers.jpg?resize=150,150 150w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/11\/Sierra-Ferrell-Trail-Of-Flowers.jpg?resize=300,300 300w\" sizes=\"auto, (max-width: 300px) 85vw, 300px\"\/>\t\t\t\t\t<\/figure>\n<p>\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tAfter spending the past several years growing her reputation around Nashville, 2024 was Sierra Ferrel\u2019s year. All of that attention \u2014 the high-profile duets, the big tours, the Grammy nomination \u2014 is thanks to her barnburner second LP. It mixes obscure pre-World War II covers (\u201cChittlin\u2019 Cookin\u2019 Time in Cheatham County\u201d) with pointed socially-minded laments (\u201cAmerican Dreaming\u201d) with exuberant fiddle stomps (\u201cFox Hunt\u201d) with some of the catchiest country-roots melodicism in years (\u201cI Could Drive You Crazy\u201d). <em> <\/em>\u2014<em>J. Bernstein<\/em><\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>Omar Apollo, \u2018God Said No\u2019<\/h2>\n<figure>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"Omar Apollo, 'God Said No'\" data-lazy-src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/09\/Omar-Apollo-God-Said-No.jpg?w=300\" data-lazy-srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/09\/Omar-Apollo-God-Said-No.jpg 3000w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/09\/Omar-Apollo-God-Said-No.jpg?resize=150,150 150w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/09\/Omar-Apollo-God-Said-No.jpg?resize=300,300 300w\" data-lazy-sizes=\"(max-width: 300px) 85vw, 300px\"\/><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/09\/Omar-Apollo-God-Said-No.jpg?w=300\" class=\"attachment-medium size-medium\" alt=\"Omar Apollo, 'God Said No'\" srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/09\/Omar-Apollo-God-Said-No.jpg 3000w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/09\/Omar-Apollo-God-Said-No.jpg?resize=150,150 150w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/09\/Omar-Apollo-God-Said-No.jpg?resize=300,300 300w\" sizes=\"auto, (max-width: 300px) 85vw, 300px\"\/>\t\t\t\t\t<\/figure>\n<p>\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe pop polymath\u2019s <a href=\"https:\/\/www.rollingstone.com\/music\/music-album-reviews\/omar-apollo-god-said-no-1235043264\/\">14-track collection<\/a> mourns the person he used to be and a relationship that left him irrevocably changed. He was already changing as his star was rising in the aftermath of his eclectic 2022 breakthrough, <em>Ivory<\/em>.\u00a0With\u00a0<em>God Said No,<\/em>\u00a0over sprawling production helmed by Teo Halm, Omar Apollo fights to shed the lingering weight of deteriorating communication, anxious attachment styles, and crushing codependency. The result is an emotionally harrowing look inside the psyche of a musician wringing every drop of meaning from the old adage that great art comes from great pain.<em> <\/em>\u2014<em>L.P.<\/em><\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>Fontaines D.C., \u2018Romance\u2019<\/h2>\n<figure>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"Fontaines DC, 'Romance'\" data-lazy-src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/09\/fontaines-dc-romance.jpg?w=300\" data-lazy-srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/09\/fontaines-dc-romance.jpg 1280w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/09\/fontaines-dc-romance.jpg?resize=150,150 150w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/09\/fontaines-dc-romance.jpg?resize=300,300 300w\" data-lazy-sizes=\"(max-width: 300px) 85vw, 300px\"\/><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/09\/fontaines-dc-romance.jpg?w=300\" class=\"attachment-medium size-medium\" alt=\"Fontaines DC, 'Romance'\" srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/09\/fontaines-dc-romance.jpg 1280w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/09\/fontaines-dc-romance.jpg?resize=150,150 150w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/09\/fontaines-dc-romance.jpg?resize=300,300 300w\" sizes=\"auto, (max-width: 300px) 85vw, 300px\"\/>\t\t\t\t\t<\/figure>\n<p>\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<a href=\"https:\/\/www.rollingstone.com\/music\/music-album-reviews\/fontaines-dc-romance-review-1235085815\/\"><em>Romance<\/em>\u00a0<\/a>is wildly expansive, and Fontaines D.C.\u2019s bullheaded integrity still stands, perhaps with a stronger spine than ever. It takes a true romantic to be a world-builder, and Fontaines D.C. have mastered the art. Each song on\u00a0<em>Romance<\/em>\u00a0acts as its own fantastical cinematic universe, fleshed out with fictional characters, in-depth monologues, and pristinely curated sonic elements to match. That\u2019s partially indebted to the band\u2019s decision to work with producer James Ford (Arctic Monkeys, Blur) on this record.<em> <\/em>\u2014<em>L.L.\u00a0<\/em><\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>John Cale, \u2018POPtical Illusion\u2019<\/h2>\n<figure>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"John Cale, 'POPtical Illusion'\" data-lazy-src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/09\/John-Cale-POPtical-Illusion.jpg?w=300\" data-lazy-srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/09\/John-Cale-POPtical-Illusion.jpg 1000w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/09\/John-Cale-POPtical-Illusion.jpg?resize=150,150 150w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/09\/John-Cale-POPtical-Illusion.jpg?resize=300,300 300w\" data-lazy-sizes=\"(max-width: 300px) 85vw, 300px\"\/><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/09\/John-Cale-POPtical-Illusion.jpg?w=300\" class=\"attachment-medium size-medium\" alt=\"John Cale, 'POPtical Illusion'\" srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/09\/John-Cale-POPtical-Illusion.jpg 1000w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/09\/John-Cale-POPtical-Illusion.jpg?resize=150,150 150w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/09\/John-Cale-POPtical-Illusion.jpg?resize=300,300 300w\" sizes=\"auto, (max-width: 300px) 85vw, 300px\"\/>\t\t\t\t\t<\/figure>\n<p>\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tJohn Cale\u00a0is on a formidable hot streak in his 80s. When the Welsh avant-garde legend released\u00a0<em><a href=\"https:\/\/www.rollingstone.com\/music\/music-album-reviews\/john-cale-mercy-1234661168\/\">Mercy\u00a0<\/a><\/em>last year, it was his first album in a decade. <a href=\"https:\/\/www.rollingstone.com\/music\/music-album-reviews\/john-cale-poptical-illusion-review-1235039668\/\"><em>POPtical Illusion<\/em>\u00a0<\/a>is full of grim songs about a planet in flames, yet it\u2019s full of playful energy, blending synths and guitars with electronic beats from an elder hip-hop fiend. But it rests on his unique vocal presence, as Cale details his nightmares in his deep, grave, deadpan Welsh brogue. As a guy who\u2019s always thrived on his negative mojo, these songs bring out all his mordant humor. \u2014<em>R.S.<\/em><\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>Adrianne Lenker, \u2018Bright Future\u2019<\/h2>\n<figure>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"Adrianne Lenker, 'Bright Future'\" data-lazy-src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/Adrianne-Lenker-Bright-Future.jpg?w=300\" data-lazy-srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/Adrianne-Lenker-Bright-Future.jpg 1000w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/Adrianne-Lenker-Bright-Future.jpg?resize=150,150 150w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/Adrianne-Lenker-Bright-Future.jpg?resize=300,300 300w\" data-lazy-sizes=\"(max-width: 300px) 85vw, 300px\"\/><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/Adrianne-Lenker-Bright-Future.jpg?w=300\" class=\"attachment-medium size-medium\" alt=\"Adrianne Lenker, 'Bright Future'\" srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/Adrianne-Lenker-Bright-Future.jpg 1000w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/Adrianne-Lenker-Bright-Future.jpg?resize=150,150 150w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/Adrianne-Lenker-Bright-Future.jpg?resize=300,300 300w\" sizes=\"auto, (max-width: 300px) 85vw, 300px\"\/>\t\t\t\t\t<\/figure>\n<p>\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe Big Thief singer-songwriter\u2019s <a href=\"https:\/\/www.rollingstone.com\/music\/music-album-reviews\/adrianne-lenker-bright-future-review-12349940\">fifth solo album <\/a>carries an aura of raw, one-take candidness. It\u2019s sweet and subtle in its sound, though Adrianne Lenker\u2019s lyricism remains characteristically brutal and brave. The tracks share a similar sparseness and uniformity in instrumentation \u2014 piano, violin, guitar, and occasional percussion \u2014 but rather than melding together, each song stands strong, poignant, and singular. It\u2019s a body of incantations that explore reconciliation, resignation, and reverence.<em> <\/em>\u2014<em>L.L.<\/em><\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>Shaboozey, \u2018Where I\u2019ve Been, Isn\u2019t Where I\u2019m Going\u2019<\/h2>\n<figure>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"Shaboozey, 'Where I\u2019ve Been, Isn\u2019t Where I\u2019m Going'\" data-lazy-src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/Shaboozey-Where-Ive-Been-Isnt-Where-Im-Going.jpeg?w=300\" data-lazy-srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/Shaboozey-Where-Ive-Been-Isnt-Where-Im-Going.jpeg 1200w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/Shaboozey-Where-Ive-Been-Isnt-Where-Im-Going.jpeg?resize=150,150 150w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/Shaboozey-Where-Ive-Been-Isnt-Where-Im-Going.jpeg?resize=300,300 300w\" data-lazy-sizes=\"(max-width: 300px) 85vw, 300px\"\/><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/Shaboozey-Where-Ive-Been-Isnt-Where-Im-Going.jpeg?w=300\" class=\"attachment-medium size-medium\" alt=\"Shaboozey, 'Where I\u2019ve Been, Isn\u2019t Where I\u2019m Going'\" srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/Shaboozey-Where-Ive-Been-Isnt-Where-Im-Going.jpeg 1200w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/Shaboozey-Where-Ive-Been-Isnt-Where-Im-Going.jpeg?resize=150,150 150w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/Shaboozey-Where-Ive-Been-Isnt-Where-Im-Going.jpeg?resize=300,300 300w\" sizes=\"auto, (max-width: 300px) 85vw, 300px\"\/>\t\t\t\t\t<\/figure>\n<p>\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tFollowing his appearance on Beyonc\u00e9\u2019s <em>Cowboy Carter <\/em>and featuring his summer hit \u201cA Bar Song (Tipsy),\u201d Shaboozey\u2019s <a href=\"https:\/\/www.rollingstone.com\/music\/music-album-reviews\/shaboozey-where-ive-been-isnt-where-im-going-review-1235031053\">second album <\/a>melds hip-hop and country in a way that is deep and rich and never a novelty act. When he sings, which is often, Shaboozey reveals a weary baritone imbued with Nashville heartache, and his songs effortlessly blend the deep-bottom sonics\u00a0(and occasional sense of dread) of hip-hop records with the beefy choruses of post-Shania country pop.<em> <\/em>\u2014<em>D.B.\u00a0<\/em><\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>Brittany Howard, \u2018What Now\u2019<\/h2>\n<figure>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"Brittany Howard, 'What Now'\" data-lazy-src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/brittany-howard-what-now.jpg?w=300\" data-lazy-srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/brittany-howard-what-now.jpg 1000w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/brittany-howard-what-now.jpg?resize=150,150 150w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/brittany-howard-what-now.jpg?resize=300,300 300w\" data-lazy-sizes=\"(max-width: 300px) 85vw, 300px\"\/><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/brittany-howard-what-now.jpg?w=300\" class=\"attachment-medium size-medium\" alt=\"Brittany Howard, 'What Now'\" srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/brittany-howard-what-now.jpg 1000w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/brittany-howard-what-now.jpg?resize=150,150 150w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/brittany-howard-what-now.jpg?resize=300,300 300w\" sizes=\"auto, (max-width: 300px) 85vw, 300px\"\/>\t\t\t\t\t<\/figure>\n<p>\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tBrittany Howard\u2019s <a href=\"https:\/\/www.rollingstone.com\/music\/music-album-reviews\/brittany-howard-what-now-review-1234958853\/\">second solo album<\/a> shows her to be budding a master of making forward-moving music that still passionately honors tradition. \u201cI Don\u2019t\u201d is a yearning Philly soul reverie. \u201cProve It to You\u201d suggests Prince doing acid house. By the time you reach the album-ending \u201cEvery Color in Blue,\u201d with liquid <em>In Rainbows<\/em>-era Radiohead guitar backing Howard\u2019s powerhouse Nina Simone-esque vocals, what should be a willful marriage of opposites feels stunningly natural.<em> <\/em>\u2014<em>J.D.<\/em><\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>Ayra Starr, \u2018The Year I Turned 21\u2019<\/h2>\n<figure>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"Ayra Starr, 'The Year I Turned 21'\" data-lazy-src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/Ayra-Starr-The-Year-I-Turned-21.png?w=300\" data-lazy-srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/Ayra-Starr-The-Year-I-Turned-21.png 1000w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/Ayra-Starr-The-Year-I-Turned-21.png?resize=150,150 150w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/Ayra-Starr-The-Year-I-Turned-21.png?resize=300,300 300w\" data-lazy-sizes=\"(max-width: 300px) 85vw, 300px\"\/><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/Ayra-Starr-The-Year-I-Turned-21.png?w=300\" class=\"attachment-medium size-medium\" alt=\"Ayra Starr, 'The Year I Turned 21'\" srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/Ayra-Starr-The-Year-I-Turned-21.png 1000w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/Ayra-Starr-The-Year-I-Turned-21.png?resize=150,150 150w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/Ayra-Starr-The-Year-I-Turned-21.png?resize=300,300 300w\" sizes=\"auto, (max-width: 300px) 85vw, 300px\"\/>\t\t\t\t\t<\/figure>\n<p>\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tWith the follow-up to her 2021 debut, <a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/arya-star-interview-1211965\/\">Ayra Starr<\/a> asserts a musical maturity that could be considered far beyond her years, but perhaps more aptly serves as a reminder of the emotional depth, logical prowess, and enviable passion young people often possess. Across it, Starr refreshes tried-and-true Afrobeats elements with the type of songwriting that SZA fans flock to, darting between Nigerian Pidgin, Yoruba, and English with endless finesse and attitude in all three languages.<em> <\/em>\u2014<em>M.C.<\/em><\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>Towa Bird, \u2018American Hero\u2019<\/h2>\n<figure>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"Towa Bird, 'American Hero'\" data-lazy-src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/09\/towa-bird-american-hero.jpg?w=300\" data-lazy-srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/09\/towa-bird-american-hero.jpg 1000w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/09\/towa-bird-american-hero.jpg?resize=150,150 150w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/09\/towa-bird-american-hero.jpg?resize=300,300 300w\" data-lazy-sizes=\"(max-width: 300px) 85vw, 300px\"\/><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/09\/towa-bird-american-hero.jpg?w=300\" class=\"attachment-medium size-medium\" alt=\"Towa Bird, 'American Hero'\" srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/09\/towa-bird-american-hero.jpg 1000w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/09\/towa-bird-american-hero.jpg?resize=150,150 150w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/09\/towa-bird-american-hero.jpg?resize=300,300 300w\" sizes=\"auto, (max-width: 300px) 85vw, 300px\"\/>\t\t\t\t\t<\/figure>\n<p>\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tRock &amp; roll firecracker\u2019s Towa Bird\u2019s debut album, <a href=\"https:\/\/www.rollingstone.com\/music\/music-album-reviews\/towa-bird-american-hero-review-1235046870\/\"><em>American Hero<\/em><\/a>, is a collection of 13 succinct pop-punk punches to the chin. Bird brings her own outspoken flash to everything here, from the breakup kiss-off \u201cDeep Cut\u201d to the sheer lust of \u201cDrain Me!,\u201d wilding out on guitar as she goes for an Eighties rock sound somewhere on the Neal Schon\/Elliot Easton cusp. \u201cFML\u201d sets the tone right from the start with three minutes of melodic guitar crunch, as she describes her ideal of romantic bliss: \u201cSit on the couch and watch\u00a0<em>Jennifer\u2019s Body<\/em>\/Tell you she\u2019s hot and then say that I\u2019m sorry.\u201d \u2014<em>R.S.<\/em><\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>RaiNao, \u2018Capic\u00fa\u2019<\/h2>\n<figure>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"RaiNao, 'Capicu'\" data-lazy-src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/rainao-capicu.jpg?w=300\" data-lazy-srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/rainao-capicu.jpg 1000w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/rainao-capicu.jpg?resize=150,150 150w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/rainao-capicu.jpg?resize=300,300 300w\" data-lazy-sizes=\"(max-width: 300px) 85vw, 300px\"\/><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/rainao-capicu.jpg?w=300\" class=\"attachment-medium size-medium\" alt=\"RaiNao, 'Capicu'\" srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/rainao-capicu.jpg 1000w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/rainao-capicu.jpg?resize=150,150 150w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/06\/rainao-capicu.jpg?resize=300,300 300w\" sizes=\"auto, (max-width: 300px) 85vw, 300px\"\/>\t\t\t\t\t<\/figure>\n<p>\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThis ambitious debut from Puerto Rican singer-songwriter and multi-instrumentalist RaiNao finds the budding artist creating a refreshing blend of genres that\u2019s all her own. RaiNao expertly moves from hyperpop (\u201cNavel Point\u201d) to sleek, club-ready reggaeton (\u201cRoadhead\u201d and \u201cF*ck$\u201d) before diving into R&amp;B-infused tracks and finally landing on jazz-inflected songs filled with funky percussive rhythms like \u201cGualero REFF12.31.\u201d Meanwhile, RaiNao\u2019s strong, smooth voice carries each song to the next level. \u2014<em>M.G.<\/em><\/p>\n<\/div>\n<\/article>\n<\/li>\n<\/ul><\/div>\n<\/div>\n<\/div><\/div>\n<p><script async src=\"https:\/\/pagead2.googlesyndication.com\/pagead\/js\/adsbygoogle.js?client=ca-pub-3711241968723425\"\r\n     crossorigin=\"anonymous\"><\/script>\r\n<ins class=\"adsbygoogle\"\r\n     style=\"display:block\"\r\n     data-ad-format=\"fluid\"\r\n     data-ad-layout-key=\"-fb+5w+4e-db+86\"\r\n     data-ad-client=\"ca-pub-3711241968723425\"\r\n     data-ad-slot=\"7910942971\"><\/ins>\r\n<script>\r\n     (adsbygoogle = window.adsbygoogle || []).push({});\r\n<\/script><br \/>\n<br \/><div data-type=\"_mgwidget\" data-widget-id=\"1660802\">\r\n<\/div>\r\n<script>(function(w,q){w[q]=w[q]||[];w[q].push([\"_mgc.load\"])})(window,\"_mgq\");\r\n<\/script>\r\n<br \/>\n<br \/><a href=\"https:\/\/www.rollingstone.com\/music\/music-lists\/best-albums-2024-1235031987\/\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Huge blockbusters, breakout debuts, left-field gems, and much more The albums of 2024 hit us hard and soft, all year long. The music world was full of explosive chaos, all &hellip; <a href=\"https:\/\/hotvideos24.online\/?p=132610\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[],"class_list":["post-132610","post","type-post","status-publish","format-standard","hentry","category-entertainment","entry"],"_links":{"self":[{"href":"https:\/\/hotvideos24.online\/index.php?rest_route=\/wp\/v2\/posts\/132610","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/hotvideos24.online\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/hotvideos24.online\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/hotvideos24.online\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/hotvideos24.online\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=132610"}],"version-history":[{"count":0,"href":"https:\/\/hotvideos24.online\/index.php?rest_route=\/wp\/v2\/posts\/132610\/revisions"}],"wp:attachment":[{"href":"https:\/\/hotvideos24.online\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=132610"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/hotvideos24.online\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=132610"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/hotvideos24.online\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=132610"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}